10 Great Tips to Help You Fail as an Independent Artist

October 14, 2010{ 87 Comments }

fail 10 Great Tips to Help You Fail as an Independent Artist

Article by Scott James of The Independent Rockstar Blog originally posted in Echoes on 10/14/10.

We’ve all seen and read posts and eBooks about how to ‘succeed’ as independent artists and to be honest, I’ve even written a few.  But what about those of us who are bent on failure?  Those of us who would like to know how to shoot ourselves in the foot as efficiently and painfully as possible? Those of us who would like to be more unsuccessful and confused?  Well this post is for you!

Some of these things I’ve done myself, and I can assure you – they work amazingly well!  Others I’ve merely watched in admiration as true masters of blunder and confusion have performed their magic before my very eyes.

So here it is, my guide to failure for the independent artist:

1. Steal Your Own Thunder
Got a new CD in the works? Awesome! Make sure you release every version of every demo and every mix you record during the process on Facebook, Reverbnation, Myspace and anywhere else you can find.  Try to confuse your fans so that they’re not really sure if you have a CD out yet or not.  Don’t set a release date well in advance or plan your promotion to build anticipation.  Try to make your release as flat and confusing as possible!

2. Don’t Sell Anything!
You’re definitely going to get signed by a huge label in less than three months anyway, so why bother?!  It’s much better to just wait for other people to come in and straighten things out.  Taking responsibility for your own career is hard work and it might lead to success, so try your best to avoid it.  Try to keep it real and stay as broke as possible.  If you have any money then you’ll be less needy and you’ll have more leverage, which could lead you towards success, so stay away!

3. Hide Your Best Stuff
Try to make sure that people have a hard time getting to your best songs.  Hide them on your online music players by either shuffling your songs randomly or putting them way down on the list.  This will make sure that they’re less likely to get the best possible first impression.

Also, make sure you stop playing your best songs live as soon as possible in favor of new material.  Remember, new is better than good.  After all, you’re sick of your best songs by now anyway, so why should you go out of your way for people who haven’t heard your music yet?  Besides, that would just draw in new fans, so don’t do it.

4. Don’t Deliver For Your Fans
It’s generally best to reach for the stars and swing for the fences as soon as possible.  Try to see if you can drag all of your fans out to the ‘big venue’ in town well before you’re ready to play there.  That way you can make sure that your fans overpay to see you at a venue that doesn’t care about you and will cut your set short.  Bonus points if your fans have to pay for parking.  The whole experience should go a long way towards loosing your audience.

It’s always best to make sure your relationship with your fans is based on them doing you favors as opposed to a mutual exchange of value.  People will willingly come back to see you if you focus on their experience and deliver the goods, so it’s best to make sure you focus more on having them do you favors.

5. Impress People With the Volume of Your Content
If it’s good to have a YouTube video on your home page then it’s great to have 37!  Try to mix in unprofessional and amateur content as much as possible.  If you’ve done it – then why not show it!  Obviously the big record companies are going to be way impressed when they see just how many ‘things’ you’ve done.  If people have no idea how to digest the massive amounts of unorganized content on your page and tend to leave in frustration then you know you’re on the right track!

6. Don’t Tell Anyone Your Name
When people come to see you it’s best if you keep a sense of mystery about yourself.  Whatever you do, don’t give yourself away by showing or telling people the name of your act.  Try to make them work for it.  Remove any visual evidence that you even have a name and try to make sure that if you mention your name you do it in a way that’s garbled and difficult to hear and understand.  Bonus points if your name is hard to remember like Anne Kalshzyagrakaviczich.  In that case you can tell them your name once just to dare them to try and remember it.  They won’t be able to!  If they like you then this should piss them off.  Awesome!

Also, try and secure a confusing URL for your website that’s spelled strangely and has numbers and dashes and is not memorable.  Extra credit if you can make sure that the URLs for your YouTube channel, Facebook page, Twitter account and other social networking sites have nothing in common with each other.  If someone wants to follow you then you certainly don’t want to make it easy for them!

7. Don’t Let Anyone Have Anything for Free
Whatever you do, make sure that no one gets their hands on your music without paying you.  If more people got a hold of your music then you might generate more demand, so cling to your music with an iron fist.  And whatever you do, if you ever do give away any of your music, make sure you don’t get an email address in return.  That might start you in the direction of adopting habits that lead to more money and more people coming to your shows.

8. Don’t Facilitate Long Term Relationships
Your relationship with your fans should be all about one-night stands.  Anything beyond that will just ruin the experience.  If you actually look for ways to stay in contact with them like collecting their email addresses and finding creative ways to engage with them on Facebook and other social networking sites then one day you might wake up and find yourself gaining positive momentum and building a sustainable path of continued growth and success.   So make sure people don’t have an easy way to stay in the loop or to find out when and where you’re playing next.  If they do find you online, say on your website,  make sure that it’s confusing and doesn’t have any dynamic content or a reason or means for them to stay connected.

9. Try Your Best to Be Vague and Confusing When Describing Your Music
When someone asks you what you sound like, try to make sure they won’t understand, remember and/or be excited about what you say.  You don’t want to be painted into a corner by a concise and interesting description of your music.  It’s best to try and give them a long-winded summary of every way to conceivably describe everything you will ever play.  And whatever you do, don’t compare yourself to anyone else to give people a frame of reference.  It’s best to tell people that you don’t sound like anyone and that you’ve invented a new kind of music.  This should sufficiently confuse and frustrate them to the point that they don’t care to find out any more about you.

10. Talk About Yourself.  A lot.
Finally, it’s a good idea to make sure that you don’t talk about anyone or anything else besides you and your career.  If you stop promoting yourself for even a minute and start talking up others and remarking about interesting subjects then people might actually start to think you’re a real person and listen to what you have to say and want to hear more from you.  It’s best to avoid this scenario by incessantly blasting your ‘friends’ and fans with promotion.   This should lead to nausea amongst anyone who decided to give you a chance –  a great weapon in your quest for failure.

For bonus points, throw in a few complaints and guilt trips into the mix.  This should make sure that even the few people who tolerate your interpretation of how to use social media won’t like you or want to see you succeed.

So there you have it.  10 powerful tips that are sure to help you fail!  Use them well and use them often.  Try and combine different tips and see just how quickly or painfully slowly you can run your career into the ground.

  • http://www.joeymcgeemusic.com Joey McGee

    This is freakin’ awesome! Thanks for some quality ways to fail well!

  • Linda Vee

    Sage advice

  • http://oliverdiplace.blogspot.com Darius

    You mention not comparing your music to anyone else’s, to provide a frame of reference. The one that drives me nuts is when an artist compares their work to someone who sounds nothing like them.

  • http://reginator.net/ Reginator

    Fantastic new ways to shoot yourself in the foot!

  • Stephen

    Thanks! Failure has never seemed more within reach!

  • http://www.facebook.com/lionzofzion Lionz

    we tried this and failed miserly- you can too!

    this article is fantastic.

  • http://www.myspace.com/andylindquist Andy lindquist

    Tragically funny!
    I am certainly guilty of #6. I’ll work on a few of these, shame is always the best teacher in the music biz…LOL!

  • http://gilcaro.com Gil Caro

    OK, Where’s the 10 failure tips. Just kidding. Different perspective is cool. Thanks.

  • http://www.zampiano.com Adam Zampino

    Thanks for the tips. I’ve been trying most of these, and with some success. Now I’ve got other ways!

  • http://www.lindseyhorner.com digme

    Awesome advice, and I’ve seen them all, some more than once. I would just add that when you finally do get that “big break”, the great show, the chance at national exposure, the real record deal, etc., make sure you’re unprepared and then turn in a sub-par performance. Nothing says “fear of success” clearer than that and there is no better way to start back at zero. Best of “luck”!!!

  • http://www.stephenmonroe.com Stephen Monroe

    You forgot the one (there are so many) about making sure you drink alot because you play so much better blasted out of your mind! And you are so much cleverererer….er….(hic)

  • http://www.bisforbaroness.com eaglerocker

    Hilarious and so true! I’m forwarding to my friends right NOW!

  • http://JapanMusicMarketing.com Kenji Tanaka

    Also add #11: “Forget about the millions of music fans in other countries – like Japan. Everyone knows English anyways!”

  • pro5

    This is a great and true (sarcastic) list. I love it. The only downside is that I’m guilty of around half of those things myself and I can say it’s not through a giant ego or not caring about fans/listeners but through a lack of confidence (not in the music but in me personally) – things like engaging people personally (twitter/facebook etc) it works for a while then it encroaches on your life and if anything like me you just got to get away before you start over anyalysing everything you do (in the context of how others see you). For the creation process I believe nothing works better (for me) than solitude and confidence through believing in myself rather than throwing every detail out there for others to nit pick and confuse (before it’s finished). Afterwards, when the music is done, it’s fair game but musicians have to have a LITTLE downtime from PR/Social networks.

    The old put down about only being able to sell your music to you friends may not be true these days for many of us (thanks to the net) however is it really that different? we may now sell hundreds/thousands of songs to ‘people’ but a lot of those we have HAD to make ‘friends’ with to care about the stuff in the first place. I think a lot of it is not quite as pure as we’d like to believe i.e ‘fan/artist’ relationships, not only does it debase the impact of music when it’s essentially ‘your mate’ releasing it, it makes the artist feel like they don’t even own their own thoughts anymore, makes it hard to stay sane. It’s like a virtual adulation that you would assume is a cool/positive thing BUT if you are the kind of person who doesn’t get off on ego massages or posturing it becomes a nightmare. Eventually you end up committing a few of the faults on the list above purely because you have little choice (as a human).

    However, in theory, they are all sound and should be avoided if you happen to be a perfect musician, human, social animal, PR king and have skin so thick you never write anything close to a personal/heartfelt song.

  • Mark

    Wow! I can see that, since I have already implemented many of these tips, I am already on the fast track to Loserville! I am planning on writing some bittersweet songs and getting some great street cred by being ‘underground’ in a big way.

    ‘scuse me now- gotta prepare my crack fix…

  • http://www.ramonperdigao.com Ramon

    Fun, true, and fantastic tips! Thank you!

    I’d add:

    11. Be arrogant and don’t ever share a stage or any piece of equipment with anyone else. What’s yours is yours and you’re the best out there.

  • http://www.jimpipkin.com Jim Pipkin

    I’ve tried all of these, and they are terrific ways to fail!

    Heck, I had so much failing the first time, I may just do all of these things over again, just to relive the experience.

  • http://www.andreathorne.com Andrea Thorne

    Here is another great blog that gives advice about the music industry. It is called How To Fail In The Music Industry.

    http://rebeccawhitemusic.wordpress.com/2010/10/27/nerdybutnecessary2/

  • http://www.DebbyTurnerMusic.com Debby Turner

    Wow! Brilliant article on how to fail really well!

    We’ve all made a few bloops and excuse ourselves with creative geneous. We’ve made a few fans lose interest along the way. Oh well, one lost fan and a million more to discover. The best fan is the one who critiques your music.

    The man who told me “Debby, you’re music is too depressing. Pick it up some.”
    was the one I listened to. He was right! and my best upbeat music is doing so well.

    Thank you for the fun tips!

    Big Hugs,

    Debby

    Debby Turner Music – New York

  • http://www.temple8.net Kurt

    I really have a problem with number 6. I mean one our greatest ideas was when we decided not to name the band or any of the songs. “Ladies and gentlemen, we are and this song is.” And people would be like, “Hey have you heard that new tune by that new band with that new album?” I mean seriously, where is your sense of adventure? The world is full of shades of grey. Why not be one of them! :-D

  • http://www.jeeprosenberg.com Jeep Rosenberg

    When arriving at the venue, it’s very important to be vague and arrogant with the sound man, not know what you want setup- or sound-wise or how to communicate it, and keep the sound check brief so you can snarf a free single malt…this will guarantee great sound. Try to apologize before every song if possible…know, “this is the first time I’ve used this looper live, so I hope it’s OK..” Don’t engage the audience or tell them anything about your songs…if they’re cool enough, they’ll figure it out. If you get a big response toward the end of your set, follow that with weaker material to leach out all the energy. Oh, and if there are fellow musicians in the crowd that have helped you or are part of your artistic community, by all means don’t acknowledge them…it’s all about you, after all… ;-)

  • http://www,henriferguson.com Henri Ferguson

    Brilliant! Sarcastic, witty, funny as hell and delivers the important stuff with an oomph! This is an informative and captivating way to convey some very sound (pun intended) advice.

  • http://www.ironbroo.co.uk Charlie

    ‘I just invented a new kind of music’ – Ahh! That’s what the smell was then.

    Ace.

  • http://www.noworkspanish No-Work Spanish

    You forgot one, no, two, wait three…

    1) If, you do manage to get something up for sale, spend a lot of time checking your sales and obsessing about your lack of sales.

    2) When you don’t meet with immediate success figure that you just aren’t going to make it and give up!

    3) Be sure to stay caught up on your favorite t.v. shows even if it means not promoting what you do.

    oh… and let’s not forget

    Never tell anyone about your great album, they might laugh or think you are egotistical.

  • http://www.rickyfitzpatrick.com Ricky Fitzpatrick

    Yikes…why is this hitting so close to home…? Awesome article though. I should print and keep in my pocket for like the next 6 months. Good stuff.

    RF

  • http://www.davidkav.com David Kav

    BRILLIANT BLOG!

    Guilty of a few of these tips (especially not collecting email addresses when giving away CDs. Therefore, I know I’m failing successfully…)

    Wait..

  • http://www.arranarctic.com Arran Arctic

    I’d like to think that I avoid these now, but in the beginning… I was less disciplined haha!

    FYI – My music is gothic folk pop via experimentalist music concrete for the deaf ;)

    Cheers
    Arran

  • http://shanewootenband.com Nic Ward

    It seems this list could be summed up in two words. Get organized. Organize your business, brand, and content from the perspective of your fans and the media outlets.

    Some of these items are good ideas that are poorly executed. “Produce quality content” is often reduced to “Talk about yourself. A lot.”

  • http://www.toptrackmusic.com Mike Kissinger

    I love it. Nice work!

  • http://www.mauriciodesouzajazz.com Mauricio de Souza

    Hello Scott,

    Great article man! I never knew that being unsuccessful was so easy! hehehehe… All kidding aside, thank you for the good tips! Best,

    Mauricio.

  • http://www.heartscore-music.de Dirk Radloff

    I am a little bit tired of running after perfection. Of course you have to present something with good quality, but the main factor of the success will be the quality of your idea and your song, not the quality of your Mix, Mastering or your Video-resolution. It’ helpful, but not a must. I think musicians today have to listen more to old Blues-tunes. Low production-quality, but great musicianship!

  • Roz W

    Very clever and oh so true….. :)

  • Martin

    “When the truth is like a stranger, it hits you right between the eyes.” The truth is that the current music scene is terrible, and disgusting. Almost all of the big acts now are no-talent phonies who are told what to say. My songs are better then any current big hit songs on the radio, but I will not be promoted because I have talent and have a brain! I am a rare breed now, I am the real deal,with a real message.The Media just wants to promote stupid people and degenerate music. So everyone who is making good music keep trying, but your reward may not be here. And at the end of the day, we need to be true to Jesus, not the world.
    God Bless

  • http://www.cdbaby.com/all/adonisrecords Mack

    I’m thinking you meant this to be funny, and in some way make us pay more attention to how we sell our music. Well, its not funny, not helpful, and all of the things you mentioned, most of us already know through trial and error. Distribution companies are becoming fat and lazy, catering to the big label artists, and kicking the indie artists to the curb, they’re forgetting who made them, it was indie artists who posted their music first, when the big artists thought they were too big for internet sells, so now we get no radio play, no video exposure, and now, no promotion from the internet sites we put on the map, and to top it all off, you come up with ten reason why we suck at selling our music! WOW….

  • Lisa

    This is great! Now if more crappy bands would actually take this advice to heart we wouldn’t be so inundated with so much garbage music and they might actually disappear!

  • http://www.electriksexmusik.com Stormm

    Damn, that’s scary…

  • Stephen

    This is great. I’m gonna go fail all over again!

  • Grant
  • http://www.joanitaylor.com Joani Taylor

    Great information.I never stop learning and I’ll be sure to pass along to my students.
    Thanks so much!!
    Cheers

  • Gaylord

    I hate to tell you about Tip Number #3, but that music I put out is my best stuff.

    More hours at the guitar I quess.

  • nakedman

    I am going out to fail right now!

  • http://www.cristianacole.com Cristiana

    Haha Loved it.

  • http://www.formanband.com Rich

    if you guys liked this article, check out the amazing article here:

    http://gavincastleton.blogspot.com/2009/05/keys-to-failure.html

  • http://danielboobyer.com Daniel

    I just lost my lunch.

  • http://myspace/thisflyboygrounded Johnny Sideways

    Fab article! Only ticked off 3 out of 10 so far, but will keep trying!

  • http://grubbyhalo.blogspot.com Ta’fxkz

    looks like you have been reading my brain for the last 7 years

  • Jack

    This is a good reminder, almost like checking in, and yes been guilty of a few of these so failure is on its way hahaha. But like I said good pointers to keep you on track and staying true thanking you all in the music community. Comments have been a good read as well and informative.

  • http://www.soundclick.com/pinecats Pinedog

    #11) Delete articles like this without reading them.

  • http://www.sethausten.com/ Seth

    In #4, “The whole experience should go a long way towards loosing your audience.”. It should be losing, not loosing. Which brings up another good way to fail. Misspellings and grammatical errors in your band’s promo materials, website, etc., go a long way in demonstrating true professionalism.

  • http://www.cupcakereacharound.com Todd

    Darn! My band’s name isn’t confusing enough. Heck, the crowd even gets a chant going: Cupcake! REACHAROUND!! We’re so screwed…

  • http://www.cupcakereacharound.com Todd

    Our mantra:

    Deaf kids love our music, blind kids love our shows. People seem to get a kick out of that… and actually seem to remember it.

  • http://www.davidsony.com Davidsony

    Great article. Helps me to continue clarifying and focusing on how to implement sales and marketing in a real way that works for me. Thanks for that.

    I’m actually focusing on creating awareness for my music right now. And trying to get a sharper image of who my audience is.

    All the best to everyone else out there who has “failed”…but hopefully along the way to learning and success :-)

    Helpful article.

  • http://www.downwarddogproductions.net Sarah Bates

    Great clues on how to fail successfully.
    You might add:
    Be sure not to practice–after all, you know the songs already.
    Also avoid voice lessons or any kind of input from people who have more experience.
    And, under no circumstances have any self confidence. Manifestation does work, so all you really have to do is believe hard enough in your own failure potential…you, too really can fail, don’t give up hope. Or something like that!

  • http://www.humboldtlagoon.com The goon

    I’m so vain, I thought this song was about me.

  • Bill O’Reilly

    This article hurt quite a bit to read, probably because it’s so true. I’m in SoCal, and the local original music scene is pretty pathetic, with the exception of maybe a handful of bands who’ve achieved some level of success.

    We’re basically required to keep 3 or 4 social networking sites updating with all current info (as well as an official site if your band has one), making sure to promote as much as possible for every single gig (Facebook updates, tweets, mailing list emails, texts, phone calls, etc). But not JUST promote because we’ll come off as self-centered and turn people off, so we’d better make sure to balance it with clever little quips and insights that even people not coming to see us at Ted’s Bar and Grille this Sunday at 11PM will find interesting.

    It does get a little tiring, and at the end of the day we also have to find time to write new brilliant, kick-ass songs, rehearse them until they’re perfect, and eventually record them.

    I don’t really have a point, just complaining. :P

    It’s a difficult line to walk, but I think at the end of the day, hard work, a genuine interest in the people you encounter, and an appealing, innovative product will eventually lead to success, though it might take many years. Of course, with the Internet connecting us in ways never thought possible, there are many, many roads to success, but probably just as many roads to failure.

  • http://www.a-lix.com Vincent

    Hey, thanks for the tips, I’ve had a go in the past years at some of them and it really works. Failing IS possible but you have to be strong and resilient in it! best, V.

  • http://www.Lthrboots.com Lthrboots

    Awesome article. I think 90% of the bands in this area have achieved this level of (non)success.

    You also forgot to mention getting drunk right before your live set. This excites the fans to no end, especially when you can’t remember the lyrics….and if you puke onstage, you get even more bonus points.

  • http://www.ddbtunes.com Ted

    Love the article…hilarious! I was roped in from the title and laughed my ass off as I read through it! It was funny because of how true it is…

  • It was honestly hard to understand this

  • Bjarni

    If you don’t have the right numbers in lottery, it doesn’t mean that its a failure. Even if you do things right as a indepent artist its not sure you’ll get success anyway. Most of the independent artist will fail including me:-) Not because we do things wrong, but because its pretty realistic.

  • http://www.coolwater101.com cool water

    this sounds so true .. but funny as well

    coolwater

  • Tod

    Wow Bjarni!
    So you really are working the plan
    Good luck with that power of positive thinking thing.

  • http://www.tfy5k.com Bob FiveThousand

    @Lthrboots:

    Wait, what? Play sober? Good lord, do people actually *do* that?

  • http://www.communitylvmc.org ian bruce

    funny. don’t forget to have girlfriends who don’t want you to be in a band and to prove it they slash everyone’s tires, true story from an area band.
    2. write mediocre songs thus paving the way for a great journey into mediocrity.

  • http://www.davidpatrone.com David Patrone

    Thanks! So many great ways to fail, I can’t wait to try them all; however, I’m really stressed about which one to try first, I mean if I over-promote shouldn’t I have some really bad video up first? I’m getting stressed out trying to figure out how to start… I’ve already changed my name six times this year, do I really need to change it to Billy Gryskishevwicz? I was finally able to spell Stones Rolling Uphill! It was great! On a google search you didn’t see us until the 3476th page or results! Speaking of our name before that “Page Jimmy twice” was nearly as successful.

    I’m nearly frozen with anticipation! I can’t wait to start this tomorrow…

  • http://www.neilcribbs.com Neil

    This article was AWESOME! I love it. Nicely done!

  • http://www.reverbnation.com/5la7e Jonathan

    Crap.

  • http://www.lyonsisrsp.com Wanda de Liefde

    Didn’t Mozart do it for the Music?

  • http://www.paulfogarty.com Paul Fogarty

    How about adding “Don’t practice, like… ever” and “Write godawful songs” and “Don’t make sure your gear is in working order” and “make sure your guitar/stringed instruments are out of tune for recording sessions and live shows” and “mumble incoherently when being interviewed” and “Write more godawful songs” and “over-charge for your CDs” and “ensure you get a stoned dude with shot hearing to be your sound engineer” and “be sure to get drunk, wasted, stoned, depressed or all of the above before you go on stage” and “sleep with your bass player’s girlfriend” and “change your band line-up every 9 days” and “don’t ever do charity gigs” and “lose your thumbs in an industrial accident”

    Just throwing some ideas out there.

  • Kyle

    Why couldn’t the author of this article Title this “How to Suceed” and switch up the writing. I must say the author did a great job of informing me of the obvious while annoying the shit out of me…
    Good luck to anyone who loved this article….. ITs Ridiculous!!!!!!!!!!!!!!!!!!

  • Kyle

    Wouldn’t not doing anything at all solve this problem of trying to fail?

    Woah man…… I think I just figured out life!!!!

    Oh wait….. Sarcasm……

    I guess I have some work to do……

  • http://www.myspace.com/basement3productions Sabine Heusler

    gosh it so weird how some people (artists) dont even get what ‘failing’ is! so they cover their careers with the ‘oh we’re just having fun’ mantel…

    this is a GREAT article! love it!

    and just so ya all know …. failing is:

    1. playing to only 4-5 people at a show and not having grown your fan base in a year of playing live
    2. having 960 CD’s left in your garage of the 1000 you bought at discmakers 3 years ago
    3. some of your friends still dont even know you are a musician and play live shows and have a CD out
    4. you still imagine people are just going to turn up to a show you put on… why advertise its so time consuming and boring… then only playing to 4-5 people and wondering why….
    5. wondering why you dont have any reviews of your new LP (because you never realized that YOU actually need to send reviewers your CD) ;)

    oh I could go on!!!

    artists especially indie artists just dont seem to get that… the music part is the fun part, but if you’re going to spend money on making a CD and playing live… its a business… you need to see it like that and work your butt off… noone is going to do it for you ever! even a record company and or manager is not going to take you on if you have never done any of your own work… noone is going to carry you… music is hard work!!!!! if you are just going to do it for fun, then please just do it for fun, invite friends over to your house and play for them, give them demos you’ve recorded on your laptop… but please dont hog up venues and give ‘live performances’ a bad name by playing to 4-5 people and be vain enough to think that is okay… its not… it give musicians a bad name not to mention YOU… venue owners get so pissed when people do that… dont you know…

    okay enough :)

    for those that work really hard! ROCK ON!!!!!!!!!!! may the gods smile up on you and may be get all you deserve!!!!

  • http://rokzroom.in Ronak R.

    Amazingly put.. I’m going to use this piece of advice for my band members, and artists under my concept mQube. :) Well put.

  • http://www.teresamcneilmaclean.com Teresa McNeil MacLean

    I excell at #2, #6 & #9, but backslide a bit on #7…

  • http://www.sinem.net Sinem Saniye

    Doing all of the opposite doesn’t guarantee your single will be on Billboard either. Need a few more pointers please!

    :)

    Sinem

  • http://www.enricogaletta.com Enrico Galetta

    Hey guys this is a nice article, sometimes it’s easy fall in one of these points but it’s true that you cannot apply this rules every time and every situation, my opinion is that you can use for most of it.
    My granddad always was saying that you need to be a “taylor” in life, you need to take the proper measures according to each situation.
    Anyway it’s a great list of points to don’t usually do.
    Enrico

  • Sig7

    this is true!!(Except i did cut exclusives wit Awol One, 2Mex, Abstract Rude, Sponsered by a clothing Line, and I get booked @ least 4 or 5 times a month.) also got a record deal by the age of 29 thanks to my cuz IQ from linguistics. I feel lucky and blessed. thats it lucky and blessed. now i wait for the day that i make $….haha

  • MarcoFromMonterrey

    Some more basic, proven, and effective ways to fail:

    When playing at a venue where you’ll share the stage with other bands, or where for any reason the backline is not under your control, just make sure you’ll come across as THE rockstar of the evening and manage to piss off the mixing board guy/team, ask for an unreasonable stage set or demand unconventional pieces of gear -the ones that probably you should provide yourself- and then simply assume that when you hit the stage you’ll magically have a great sound (not to accuse sound engineers here of being vindictive or prone to sabbotage, but when offended, some of them will probably be uncooperative towards helping you deliver a good show). To completely ensure the success at failure, if possible, avoid any sound checks, your songs are so good anyway that it won’t matter if you have to overcome an unbalanced audio coming out of the loud speakers, even if you sing at the top of your lungs and still no one can hear a word you say, or if your guitar is so loud that people in the audience will take their hands to their ears or start walking out. Ah, and don’t forget this one: don’t check if your guitar is in tune before starting any song, specially the first one. Make things exciting, don’t change strings to your guitar in months, or change them an hour before the show, it’ll be one hell of a ride trying to play, sing, and tune your guitar, or deal with a broken string, all of it at the same time, and don’t take a spare guitar with you, after all what would be the fun in playing live without these additional risks? Believe me, an instrument working against you will disapoint and piss off everyone, even your band mates, and there you have it, the best possible failure: a band on stage with long/angry faces pretending to make music, while inwardly -and visibly- praying for the gig to end ASAP. You may have great songs, and even a great CD already recorded and professionally produced, but a bad live performance will always be more memorable than anything, even if you have a good CD under your arm; a sucky live gig will stick with you for a very long long time.

  • http://www.musiciansbusiness.com Dane

    Great article, it’s not everyday that you see “how not to make it”. I really love your advice about social networking. I tell my subscribers all of the time not to just blast their promo stuff all over social networking sites. It gets extremely annoying and is a sure fire way to loose followers, friends, fans, or whatever else! Nice work.

  • http://www.stabbedpanda.wikidot.com Ronnie Disaronno

    great article! i was so worried i might be a case study!

  • Pingback: 10 great tips to help you fail as an independent artist | Indie-spensable

  • http://www.rubyhayes.com Ruby Tuesday

    What a great way to self-analyze and take a look at what I am doing wrong and STOP it! Thanks for the insight.

  • HIPSTER

    This is so post-post modern. It’s so hip, that I think that’s all I want to do with my life.
    I’m gonna go listen to MGMT, and Neon Indian now.

  • http://henrymena.com Henry Mena

    Yeah, except that I see ironic, hipster nonsense bands follow tips 1, 5, and 9 with much success. I guess they know their audience and act accordingly.

  • Fat Joe Valles

    You mean my begging and cajoling and acting like a cut rate PT Barnum isn’t gonna work?

    • djsmith9

      well, unless it’s part of your “schtick”. The market can always tolerate one PT Barnum “retro” act.

  • http://www.facebook.com/people/Sunny-Davar/100001889065924 Sunny Davar

    For some one who is interested in India as a market, http://www.songdew.com is the best bet ! Try it out