Count It All: The Actual, Hard Costs of Touring

April 12, 2012{ 20 Comments }

iStock 000017638849XSmall Count It All: The Actual, Hard Costs of TouringThis post was written by guest-contributor Richard Lee Jackson, drummer and co-producer of the independent rock band Enation. Their music has been featured on ‘One Tree Hill’, ‘General Hospital’, and MTV.com.

Touring is expensive. My band Enation has at times lost thousands of dollars doing it all the wrong ways. I have talked with other musicians who have had the same problems: working months to get on the road only to be met with a lot of debt at the end of the tour. You’ve probably made some amazing memories and had a lot of fun… but if touring becomes a consistent financial drain then chances are you won’t be able to sustain it.

There is one lesson that seems so basic I can’t believe we ever really needed to learn it the hard way, but we have: when planning a tour, make sure you understand ahead of time where every expense is going to come from, and be sure that your pre-determined income is at least helping you break even before you leave for the tour. Either that, or truly understand how much money you’re going to lose at the end of the day and be okay with it.

When you’re traveling, you have to figure out ahead of time how much food is going to cost, per day, per person. How much hotels are going to cost, per day. How much the airline flights, van rental, gas, and gear rental will cost, per day. If you have additional expenses like crew members or management/booking agent commissions, you’ll want to factor those expenses in, too.

It’s incredible how fast things add up.

For instance, we didn’t realize until we were less than two weeks from leaving that each third bag we checked on the airlines would be $100 per bag, per trip. That meant that on a one-way trip, if three of us had a third bag (of merch or gear or whatever), we’d be paying $300 extra! That was on top of the fees already associated with the first two bags (between $20-$35 per bag). Once we realized we had those expenses, we had to play musical chairs with our gear — figuring out what basics were needed to fly with, which things we could rent somewhere for cheaper than flying that third bag, and who would carry what bag, all in order to limit us to two bags per person, plus our carry-ons.

That small detail alone helped save us hundreds of dollars. It came from research online, looking at the fine print of the airline baggage fees. Not fun stuff, (who wants to read the details of baggage fees?) but in the long run, it was worth the extra few minutes of time.

Another example of budgeting came from doing research between companies and finding out which company had what we needed at the best price. Google and FareCompare were our best friends in that. With Google we found companies offering similar products we needed (like renting a van in New York) and then compared prices, sometimes by looking online, sometimes by calling around. We saved hundreds of dollars by not going with the first thing we found – like using  Bandago instead of another higher priced van rental company, and also using Bandago for gear rental vs. SIR NY. (Note: SIR is an amazing company for many things. Located in many major US cities, they’re a tremendous resource to have. We played our showcase in Nashville there, and they had the studio/room we needed, all the gear, with tons of options, and great customer service. But for weekly backline rates, Bandago is less expensive.)

We also did budgets for different ways to get where we were going. Driving, flying, renting a bus, renting a van, one-way tickets, round-trip tickets plus bus rental, round-trip tickets plus van rental, etc. In the end, we saved thousands of dollars by researching all our options and comparing them. When we found the right means for our trip, it allowed us the best chance of being successful from our small tour before we even left home.

Once you have adequately budgeted for the entire trip, and compared different options, trying to find the most cost effective and efficient plan, then you need to make sure that your solid income will get you to (at the very least) a break even point.

For instance, when we budgeted for one trip, we realized with six weeks before the concerts that the ticket sales weren’t going to cover our expenses. We made the tough decision to reschedule those dates for later the following year, to give us more adequate time to promote them to our fans.

It wasn’t fun telling the booking agent that we needed to reschedule, and it wasn’t fun for them to tell the venues, or for us to tell our fans the news. We even had to pay an advertising ‘fee’ to one of the venues for the cost of advertising our cancelled event (that ‘fee’ came off our ticket sale income after the rescheduled event took place). However, it was within our contractual right to cancel with six weeks out, and we decided to be honest with our fans and let them know, quite frankly, the pre-sell tickets weren’t up to the minimum we needed to play.

Instead of a backlash from our fans, they took it as a personal challenge to help us get the ticket sales up so we could come to their area. We also took the opportunity to involve our fan-base in a more direct way through using the band-fan-engagement website PledgeMusic to invite our fans to help us raise funds particularly for touring that year. The response was tremendous, and knowing we had a certain amount of our hard costs covered through that campaign made the necessity for ticket sales to be higher less imperative.

Months later, with a good amount of promo on all of the usual social media and email campaigns, our ticket sales were, in some venues, almost twice as high, our expenses were covered before we left for the tour, and the trip went in the black for us within the first three shows because of a good amount of merchandise sold.

The worst thing you can do, (and I know this because we’ve done it), is not to do the mundane work of planning out every expense and offsetting it by every known (not hoped) streams of income. Just winging it with a hope and credit card is a big mistake! We have lost thousands of dollars ‘planning’ that way.

Being in a band, if it is more than a hobby to you, requires a decent amount of business sense. ‘If we continue to spend more than we make, how long is that going to be sustainable?’ is a question we should have asked ourselves sooner and probably more often. Thankfully, we are learning in time and turning the preverbal touring ship around!

Learn from our mistakes and plan your tour out in as much detail as possible. Give yourself the most likely bet for making a return on your investment – so you can continue to be the artist you were meant to be.

www.EnationMusic.com

@Enation on Twitter.

Richard Lee loves music, writing, and hoverboards — and can’t wait to buy one when they’re finally on the market in 2015.

What do you think? Leave us your comments below.

  • http://www.odysen.com/ Matt

    Reminds me of that quote “everything you learn is at your own expense, mark it well”, something like that. Great story of lessons learned.

    I haven’t done a tour like that before but have pretty much only heard of all the financial horror stories, which doesn’t make it too enthusiastic for pushing it further. Nice to hear of a road trip actually working out, as well as the adjustments needed to get there!

  • Jason

    With the Barking Dogs, we managed to tour for 6 years in the nineties. We each made a VERY small living. But it was sustainable. What I realise looking back is how much work went into getting the gigs (over the 6 years, 4 days a week, against 2 days a week playing !) … but, as you say, the experiences and memories are unbelievable.
    gigs:
    http://jasonbarnard.com/the-barking-dogs-all-the-gigs/
    memories:
    http://jasonbarnard.com/jamming-with-marcus/

    So, twenty years on, my advice is ‘stick at it’. All those (countless and thankless) hours getting the gigs, travelling, bickering are WELL worth it for the 2 hours on stage each night.

  • Brandonmaddox

    Great article!

  • Megleton

    I am so glad I read this article! My management is planning a tour for me and now I have quality input to contribute to my own success. In any business the objective is to make money. Lets face it, music is a business if your serious. Thank you so much!

  • http://facebook.com/varioushands Jeffn9

    I find that with most new bands it’s not necessary to be on the road for, at most, 2 weeks. Various Hands did our first tour back in February. We did 6 days through the Midwest, spent 3 months booking it. We traveled in my Jeep with our trailer behind it. Managed to get a Motel 6 every night for between $35-$42 (which between 5 of us was less than $10 a night for a warm bed and a shower) and usually had 2 meals a day. We bought a loaf or 2 of bread along with some lunch meat and a couple bags of pretzels and a package of bottled water form Aldi. Lunch was a sandwich and dinner was either another sandwich or Subway or something cheap. We played for door splits every night which usally was just enough to cover our gas but we still managed to come out $113 ahead as a band.

  • http://www.wearethebroken.com/ Corey

    I’ve actually developed a cost/benefit analysis Excel sheet that tells us whether or not we should do ANY show, including tours…it factors in travel, expenses, food, media exposure, fan interest and attendance, future show possibilities…

    Using it we can accurately predict what we’re going to make on a show/shows and have come through every tour and show with net profits and a modest annual income for all involved.

    Send me a message if you want to know how it works…it’s quite simple, really.

    http://www.wearethebroken.com

    • http://diymusician.cdbaby.com/author-chris-robley Christopher Robley

      Awesome. Thanks for offering to share that with folks.

    • http://twitter.com/juultweet Juul Stikkelbroek

      Hey,

      Could you maybe send something like that to me or tell me how it works?

      Greetings,
      Juul

    • http://www.facebook.com/cosmojones Cosmo Jones

      I would love to lazily take advantage of your hard due diligence!!!

    • Marysia

      Hi Corey, I’d like to fins out more if that’s cool?
      What e mail address can I reach you on or please drop me a quick line on marysia@artistsandthings.com
      Thanks!

  • Tom

    Tom
    I am a semi-retired road musician & I have toured almost everyway there has/is. When we toured & played as a bar band – our budget was what we could borrow from each other until the next check or town – in the larger bands – we had a road manager (a cost involved with management out of Victoria) and we just went to him when we needed something & HE made it appear (it was nice to be appreciated back in the 70′s & 80′s) – now I drive into some towns & I get sad or melancholy because, they have torn down or rebuilt where we were & it will never be the same again. Leaving just what THOSE dollars paid for – (Jim Croce said it best) Photographs & Memories.

  • http://diymusician.cdbaby.com/author-chris-robley Christopher Robley

    Well, every band is different– and they worked themselves up to a place where flying was an option. But I hear you, most DIY acts are crashing on floors and fixing broken vans halfway to Reno.

  • Mpm2208

    This all sounds too familiar. I have just got back from playing in Australia (I am from the UK). I got stung by a change in the exchange rate. Going out I had underestimated how much day to day expenses were going to be (the pounds exchange rate is very low against the Australian dollar). The low exchange rate then hit my income from ticket sales which after conversion were considerably lower than I was expecting.
    But like the writer in the piece, I had a great time, I made some great contacts and will do it again, much wiser and having planned it in much more detail.
    Good luck!
    Mike ‘Dr Blue’ Mckeon

  • http://www.facebook.com/profile.php?id=1659736343 Kris Claerhout

    Cory, like to get a copy too :)

  • http://www.facebook.com/cosmojones Cosmo Jones

    This is an awesome article, and having been doing this for years, I can attest to the importance of everything the writer covered. I’ve done the gamut, DIY band tours on no budget all the way to the major label heyday tours that used to exist back in the 90s. Now more than ever bands have to become business savvy, and we all look to artists like Joe Purdy for example, who can actually make a good living touring all on their own steam.

    Here are a few tips I would add:

    + Merch is your bread and butter. You can’t afford to NOT have it. Running out of a t-shirt size is a missed opportunity. If you are flying, consider shipping it in advance because it will be cheaper than the airline might charge you. You can have a friend mail you a second box if you are starting to run out of anything. Always ship with a tracking number, the only way this backfires is if your shipment doesn’t make it, but that can happen with an airline too.

    + The web is your friend. There are a lot of sites that can help a musician, like last minute hotel rentals (guestmob.com) or places to crash (couchsurfing.com) or even just posting to Facebook that you need a place for one night in City X. I’ve opened my home to touring bands on many occasions and vice versa. We would book hotels in advance (on tours we could afford to) and then use Priceline or whatever site to try to find better last minute rates because you can cancel a regular hotel reservation with a few hours notice without penalty at most places. If you book through an Orbitz or similar, you can’t. We had really good luck with this technique.

    + Beware of borders. If you are leaving the states, be sure to know the rules for each country. Canada for example wants money. The immigration officers are web savvy, I’ve had a friend denied entry because they saw he was playing gigs on his MySpace page. They look at all that now, so do your research.

    + Every club will screw you at the door. On the one total DIY tour we did that was profitable, we had 2 crew people. One was our soundman/security and the other was our stage helper/security. We used the latter to stand by the door with a clicker, but did not make it known to anyone. When settling up, nearly every time the club had a different door count than we did. Guess whose favor it was in? Hint – not the band’s! So we would politely indicate that our count differed and with the exception of 1 venue, we were able to receive our full percentage. If you are nice about it and don’t spring it on them as a gotcha moment, they should be cool about it especially if it was a good night and they want to have you back. Off topic, but one bit of advice, no matter how big of a tool the club staff is, grin and bear it because they can ruin your show if they feel like it.

    + Try to find a sponsor. These days brands and businesses are looking for ways to market that are non-traditional. I played in one band with a business savvy lead singer who convinced a major tire company to sponsor the tour which led to Gibson, Blender, and Kicker to jump on as well. It ended up being a cushy tour! Now if I can just duplicate that success…

    + If you are van touring it, get an Auto Club membership. Get the Premier one which allows for 200 miles of towing. It’s cheap, and you only need one lockout or breakdown to more than make your money back. Try to bring backup gear too. Gear breaks on the road. Tube amps don’t like to bounce around in cars. An unexpected repair or rental can hurt your budget. And some bands won’t share their gear, so you can’t always count on that.

    + If you have to rent gear, research local rental companies. I’ve had a rental that started out as $1200 get dropped to $500. There are huge variances. If a local company isn’t overbooked, they are going to cut a deal.

    + @DougCote who commented on the article being off base because it included a plane ride. Have you seen the price of gas? My 15 passenger gets 10 miles to the gallon if I head downhill away from a hurricane. And that’s before I load it up with gear and attach a trailer. What I’ve found is people that live on the West Coast often make a fatal mistake of trying to leave from here and make a loop. It’s just not cost effective. There are areas of our country far more concentrated, so consider flying into Philadelphia for example and then rent a van and gear. We did a tour that broke even that way (a success in my point of view these days!) because we were able to play for 2 weeks within a 200 mile radius. Same with the south – driving across CA, NV, AZ, NM, to get to Austin means you drive a really long way with only a couple of decent venues. We flew into TX, then made our way to GA and back over 2 weeks. If you plan well, you can find really cheap domestic tickets.

    It’s a lot of hard work, and it’s even harder if you have a lot of people in your band. The successful tours I did on my own were with trios and the occasional 4 piece. Someone also mentioned 2 weeks as an ideal amount of time to be on the road. I agree. Going out longer can break up the band in a lot of cases! Good luck to you all…

  • http://www.wearethebroken.com/ Corey

    Absolutely! I thought it was a great article and you really outlined a lot of points that musicians simply don’t think about…they get caught up in the IDEA of touring :) Contact me here at http://www.wearethebroken.com and I’ll show you how it works…

  • http://www.wearethebroken.com/ Corey

    Absolutely! Contact me here at http://www.wearethebroken.com

  • Ryan Frizzell

    If you’re looking for venues to play in canada, check out http://www.stagebanter.ca