How to Develop Your Musical Persona

September 21, 2012{ 7 Comments }

iStock 000017094417XSmall 203x300 How to Develop Your Musical PersonaDavid Bowie struck his best messianic alien pose as Ziggy Stardust. Lady Gaga dons different outlandish costumes to communicate with her cult of fame-monsters. The Insane Clown Posse wears frightening makeup. Dylan was the changeling rebel poet.

Unfortunately, we live in a world where music as an audio art-form is judged, in large part, by how it looks, and by how we respond to its system of delivery—and “persona” is an important part of that.

Luckily for those of us who aren’t comfortable inhabiting a whole different dramatic character in order to perform our music, you don’t have to become a method actor to develop a memorable persona.

Persona and music promotion

As Lisa Lepine (“The Promotion Queen” of Portland, Oregon) explains in CD Baby’s Podcast Episode #2, indie musicians can build their brand and inhabit an authentic persona by determining what the most memorable aspects of their personality, story, and aesthetic are—and magnifying those qualities on stage. By amplifying something true within yourself, you’ll connect with audiences in a dramatic fashion without feeling like you’re faking something.

How to sell yourself without “selling out”

Think of the artist who recites politically-charged spoken word between songs, the singer who always wears his great-grandfather’s railroad hat on stage, the extra-spastic drummer wearing only gym shorts, the guitar player who takes a moment out of each show to talk about a pressing environmental issue.

In this podcast interview, Lisa Lepine talks about how artists can find subtle ways of bridging the gap between persona and “authentic self.”

Listen now!

What’s your musical persona? How did you develop this persona? Does it feel like you’re stepping into someone else’s shoes, or is it just a more-charismatic version of yourself? Let us know in the comments section below.

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  • Derk Cyborg

    Music produced and recorded in his ice fortress, just north of Singapore,Derk Cyborg’s neo – plutonic soundscape machinations point to a new beginning in a world trying to harness enharmonic social change in the current auto-tuned zeitgeist.

  • http://www.odysen.com/ Matt

    Here’s a thought, if someone dressed in a clown suit, would you expect
    their songs to be happy or not so much? Maybe the danger with being too
    focused on the image is it can trap you, great to do for one type of
    song, but for another, not so much. But yeah, I suppose it can also be a
    huge advantage, help to really get into this or that perspective for a
    song or theme. A double edged sword you could say.

  • http://www.facebook.com/jackbrownsings Jack Brown

    It’s funny clown suits lol, Lady Gaga stripped naked as she was doing a gig,because she wasn’t being noticed as she played. NOW look at her ….

  • Rob

    What’s wrong with Metallica straight up t-shirt and jeans? They are the biggest metal band ever.

    • http://diymusician.cdbaby.com/author-chris-robley Christopher Robley

      Sounds good to me. Comfy.

  • http://twitter.com/UnleashedArts ChristianBandHelp

    Established music icons do not need to be as concerned about their music persona as new artists looking to gain exposure and fans. New artists need to remember the old saying that “any publicity is better than no publicity”. While this saying is not completely true, it does point out that being ignored and unheard is death for a musicians career. So, an intentional focus on creating an interesting person is in the best interest of artists looking to gain attention and fans.

  • http://www.facebook.com/WestCoastSoul Joey Joel

    The essence of ‘being’ true to one’s self, is compelling, and completely accurate. The issue as I see it; based on my managing highly successful talent for years, is many, if not most find, or discover ‘Who’ they really are. I fondly call this the ‘George Thoroughgood’ syndrome.

    Some people consider him a mediocre player, not particularly original. Many compare him to higher end musicians, who can rip in all formats. None of that is important. What ‘IS’ important, is that guy can fill a few thousand seats. That he reaches people on a primal level. How, why? Because he is true to who he is. He is real, and that is power, and people feel it.

    I’ve long said that you can have a band of fantastic musicians who play great, but not at a full maturity of self. (inclusive of emotional, spirit, other non tangibles) There are many in this category. If technical ability alone and great playing did it,we would see more ‘technical’ oriented bands’ drawing. Take a lessor band, with less technical ability, but who are playing at the top of who they are, a full maturity of whatever their message is, and they will touch people, and have a better chance of success

    Take the time to discover who you are. Then be the fullness in your performance of that you have discovered in yourself.