Musicians: How to Turn Rejection Into an Opportunity

February 29, 2012{ 9 Comments }

iStock 000013605536XSmall Musicians: How to Turn Rejection Into an OpportunityIf you’ve been playing music for a while, you’ve probably heard this response a few times from bookers, promoters, radio DJs, agents, labels, and managers– “No thank you.”

As the adage goes– No means NO. But “no” doesn’t have to mean that the conversation ends.

3 steps to making the most of a no!

1) Stay strong-

Rejection hurts. You’ve gone from high expectations to dashed hopes in a matter of seconds. But if you’re gonna stay in the game you’ll have to develop thick skin. Learn to not take rejection personally. Remember that a “no” doesn’t necessarily mean that the person on the other end dislikes you or your music; they simply might not have room on their books for you at the moment.

It’s a crowded marketplace, and persistence wins the day. So, at all costs, stay polite. Remain calm. Put your game-face back on, and…

2) Ask them the tough questions-

What an amazing leaning opportunity this is! Someone has told you “no” for a very good reason (in THEIR minds, at least). Now you get to ask them why.

Again, be respectful and polite; say something like, “Thank you for considering us and checking out our music. I know your time is limited, but if I could just take up 30 more seconds and ask– What lead to your decision? What could we do differently in order to get booked/get signed/get press/etc in the future?” (Frame this question, of course, in language that is natural to YOU.)

You’ve asked a tough question; get ready for a tough answer– an answer that might sound something like:

- You don’t have a big enough draw yet.

- Your music isn’t really radio-friendly.

- We’re a bluegrass label. We don’t really do the singer/songwriter thing.

You might not like the answer, but you’ve cleared the mystery around that “no.” If the opportunity is still one that you’d like to pursue, the expectations have now been clearly stated. Meeting them is up to you.

It’s also quite possible that you’ll be HAPPY with their answer– maybe they’ll be quite helpful and say something like:

- Oh, well,… we’re already booked out through the end of the year, but I’d be happy to book you further down the road. Do you know what your tour plans are for next year?

- Yeah. Well, I think you’re a great band, but your sound doesn’t really fit our label. However, my friend Dan runs a label that’d be more of a fit, and he’d probably love you. Here’s his website info.

People in the music industry don’t have a lot of extra time on their hands, and it’s not their job to sugarcoat the “no” they give you. So make it YOUR job to dig a little deeper; you might like what you find out.

3) Follow up-

If a booker says, “Try us again when you can get 100 people out to every show,” or a manager says, “Check back in when you sell through your first pressing of CDs,”– well, check back in!

If someone is kind enough to refer you to a friend or business associate, contact ‘em!

————

You can’t control other people’s decisions. If you could, you’d get everything you ever wanted in life and the world would become a very boring place. But you CAN control your response to other folks’ decisions. Next time a door is slammed in your face– compose yourself, and have the guts to figure out why it closed so quickly. Simply ask what you can do to open it again.

-Chris R. at CD Baby

Sell your music on iTunes in less than 48 hours!

  • http://twitter.com/helenaustin helenaustin

    great advice… if you don’t ask you will never know… and knowing is the key!

  • http://www.facebook.com/people/Wolfgang-Ginger-Pants/687137109 Wolfgang Ginger-Pants

    Yes, except that in most cases you don’t even get a rejection letter or email.

    • http://adeishs.com/ ade ishs

      At least, step 1 is still useful. :-)

  • http://members.cdbaby.com/ CD Baby

    Admittedly, I wrote this piece imagining more of a phone conversation than an email exchange. Doing business over the phone is pretty rare these days, but still happens frequently in the folk/singer-songwriter world. So if you’re on the phone and hear a “no,” it’s not that much of an imposition to ask for another 30 seconds of someone’s time. But yes, if you have to send a whole ‘nother email… it’s not a move you want to pull for every single rejection.

  • http://www.facebook.com/Idealogizm Kiyta Thaxton

    still rejection hurts, and makes u want to hurt them, ur right

  • Stephen Thomas

    If you ask them the tough questions, make sure you don’t argue with their answers. It may not be what you want to hear but if you argue with them you are basically calling them stupid which will not help you out in the long run.

    • http://members.cdbaby.com/ CD Baby

      Yes, indeed. Never argue with them!

  • http://www.vogeljoy.com/ Kimberly_from_vogelJoy

    Great points. All part of a good sales job and good communication. So important to actually talk to people :)

  • Abby Mayer

    “The Abby Chamber Players” performs music from: Rock to Bach, Beethoven to The Beetles, and Brahms to Schostakovich. Our goal is to make this a better world by performing quality music. (C0ntact: abby.mayer1@verizon.net)