How You Became a Musician: What, When, Where, and Why?

February 8, 2011{ 185 Comments }

iStock 000013498839XSmall How You Became a Musician: What, When, Where, and Why?

Every career musician probably remembers THE moment, the moment of transformation, like an epiphany, like a blast of ecstatic knowledge, of purpose.

For me, I was a little kid, sitting in my family room in 1991 listening to Paul Simon’s concert in Central Park on Westwood One radio.

For people in my parents’ generation, it may’ve been seeing the Beatles perform on Ed Sullivan or hearing the Velvet Underground on their friend’s record player.

For folks younger than I, maybe you saw Fall Out Boy on MTV, or sat stunned in a concert hall watching a symphony orchestra while on a field trip, or started playing around on a “borrowed” copy of Logic.

Less of a conversion experience, for before that you were simply wandering in the wilderness, and more a feeling of homecoming, the moment hits you like a clapper against a bell, ringing through your whole body, resonant and clear.

You say “I am a musician, now and forever.”

OK. OK. I know. I’m embellishing a bit. But you probably can relate to that feeling I’m talking about.

So what was it? In the comments section below, we’d love to hear YOUR story!

-Chris R. at CD Baby

  • http://manelandmedia.com Omotola Ajibade

    In my case, it just sorta happened. I was always the fat, nerdy, new kid, so I kept to myself a lot. I don’t why, but I started writing a lot of poetry. Eventually, poetry no longer did it for me, so I started writing song lyrics as well.

    By the time I finished, high school, I had started considering music as a serious hobby. I figured that I could write songs and tell the kinds of stories that people don’t get to hear too often. That ultimately led me to want to find musicians who write songs that tell those sorts of stories. That’s what I have been doing ever since.

    Respectfully,
    Tola

  • True Bamboo

    I was twelve. I was listening to the Mountain Goats song “Your Belgian Things” nonstop. It made me realize how much emotion goes into making a receiving music, and there was nothing I’d rather do for the rest of my life than do what I love and make people feel the way I did right then. Now I’m seventeen. I just recorded my first EP and I have a show on Friday night! :)

    • Chris R. at CD Baby

      Sweet! Break a leg Friday. And I LOVE that song. I too listened to that song on repeat when I first bought that album. Well, actually, I think I kept shuffling between “Your Belgian Things” and “Pale Horse” by John Vanderslice.

  • http://MicControl.com Jon Ostrow – MicControl

    For me, it actually wasn’t until I picked up my brother’s bass guitar and plucked a few notes that I realized I had to surround myself with music. I had always been a HUGE music lover and came from a family of music lovers, so jazz, rock, blues, folk, etc. was constantly being played in my house. But when I felt the rumble of the bass coming from my own actions, I knew I had to do something with this. And though it is more of a hobby for me now, it is the passion that I have as a musician that has helped me to do what I am doing now with everything else in my life. Gave it a sense of direction and purpose you could say.

  • Pingback: Tweets that mention How You Became a Musician: What, When, Where, and Why? | DIY Musician -- Topsy.com

  • http://www.cdbaby.com/artist/exmoura John Isaac

    I wanted to be a musician since I saw the Beatles on T.V. as a little boy…so much so that I had my parents legally change my name to John (what a pain I must have been for that to happen !!!) Hey my parents came to the U.S. from Cuba so “John” was not my name hahahaha…I played in various bands growing up most notably was a cult NYC Death Metal band from the 80′s called Arsenic. I absolutely LOVE music..and that’s all kinds. I don’t actually consider myself a musician tho’ I suppose that in one way or another I am.
    I now have 2 “bands” that I solely run…one is called “Exmoura” which started off to be a bit Gothic Metal but switched gears into more Progressive Experimental stuff…a bit like a heavy Pink Floyd at times and sometimes it’s very instrumental like soundtrack music. The other is something called “Blood Dead Sky” which will have the debut CD “This Eternal Solitude” out this week and that is dark Gothic/Doom stuff.
    You can check out both Exmoura/Blood Dead Sky at CDBaby as well as Myspace and FB pages…

  • http://cdbaby.com/all/eslider Texas Jake

    at 11 years old,I was a run away.Met Bukka White in Memphis and he took me in and showed me the joy of playing “the blues”…he was a wonderful human being.Thank you Big Daddy Booka!

  • http://www.cdbaby.com/cd/bethanngaliardi BethAnn Galiardi

    I had turned 5 years old in September. That Christmas, Santa (aka my father) bought me a guitar. One hour later I was playing the two-chord-wonder, “Down in the Valley” and singing along. Two hours later, my dad broke out the fake books, taught me a few more chords and we were singing and playing Jim Croce tunes before dinner was served.
    That next summer I asked for piano lessons. What kid asks for that???
    Played my first talent show at the age of 7 (1st grade) with a rendition of Three Dog Night’s “Joy To The World” – just me, my guitar and a pretty dress.
    30+ years later and I don’t think I could have gotten through my life in one piece without my music.

  • http://Www.mikeatkinsmusic.com Mike Atkins

    I’ve literally been playing the piano since before I have memories. My mother tells me that I’ve always sung, and so I think becoming a performer/songwriter became an extension rather than a choice.
    But what cemented the deal for me was seeing concerts like The Police Synchronicity Live, and watching videos of people like John Lennon create their work. Unfortunately I can’t remember the exact moment I decided that’s what I wanted to do.

  • http://www.HipHarp.com Deborah Henson-Conant

    I grew up in a family of musicians who were all natural talents. My parents courted each other by singing (and then discovered they had nothing to say without music – so got divorced) – but still, everyone sang to me. Music was my first language, the way I communicated with my relatives — and my mother taught me how to read chord charts on the piano when I was 10.

    Then that’s all I did: sat at the piano, played and sang and wrote music. I started writing musicals when I was 12 because … well, I thought that just what people did. Music was ALL I did, so naturally, people began to make assumptions.

    But when I look back, I know that the moment that sealed my fate as a musician was the moment when, knowing that everyone assumed I’d be a musician, I screamed at the top of my lungs: “Oh yeah?!?!?!!! Well maybe I WON’T be a musician!!! Maybe I’ll be a SCIENTIST or a LAWYER! Think about THAT!!!” then stomped to my room and slammed the door.

    But I just was a musician. No matter what I do, this is just my language.

    p.s. I recently blogged about writing my first love song at my blog, the “Deblog” (http://wp.me/piJDI-iB)

  • True Bamboo

    Thanks! It’s always good to have some JD and JV in your library.

  • http://Youtube60treasur Treasur

    I always sang since i was 8. Writing songs started in high school. I recognized a musician when i taught myself to play the guitar. I luv my 12 string.

  • http://www.rickyfitzpatrick.com Ricky Fitzpatrick

    My grandparents always kept an old green Broadman hymnal in the house, so we sang those old hymns all around the house from the time I was old enough to talk. But the real aha moment for me was ’81…and in the middle of all my mom’s old Beatles and Stones and Elvis 45’s, someone bought “Jessie’s Girl” (I know, I know…yes…Jessie’s Girl). And when I heard Rick Springfield (his name being obviously divinely and fatedly similar to my own) singing and playing that Strat, wearing his All-Stars and that skinny neck-tie, and saw women swooning over Dr. Noah Drake on General Hospital and the girls absolutely freaking out on The Tonight Show…well, I was hooked. Seriously, from that moment, that’s all I ever wanted to do. Thank God I still spent the Summer with the boys from Liverpool and The King…still some of my favorite music of all time. By the way, did you see Rick on “Don’t Forget the Lyrics” last year…still looks cool…still sounds fantastic. Check out “Victoria’s Secret” his latest single…very good, man. Very good. :)

  • http://www.helenaustin.com Helen Austin

    I grew up in a very classical music house so when I saw the Osmonds on my friend’s tv (we didn’t have one) at the age of 6 I declared that I wanted to be a backing group. Also, singing Manhattan Transfer harmonies in the school bathrooms with my friend was another moment!

    Being a musician has never been a question in my mind.

  • http://www.nexusaudiostudio.com Don

    When I noticed that the girls were hanging out near the guys with guitars. Who knew it would stick?

  • http://networkordie.com Wicked D

    I remember being a very small child in the late 60s, listening and singing along to my grandfather’s Hank Williams albums. The song, “I Saw the Light,” in particular. I just knew it felt good to sing, and music made me happy. It wasn’t until I heard (saw) KISS as a tweenie in the early to mid 70s that I knew I wanted to create and perform my own music onstage!

  • http://www.intuneaudio.ca Charlie

    I’ve been making music since I was about 10. There were definitely moments in my mid teens where light bulbs went on about how much I loved creating music. This mainly happened experimenting with midi and tape machines.

    The big ah ha moment was when I finished high school I was suppose to go to school for business. Took me weeks to mail my tuition check and then finally riped it up and decided to follow my dream and make music full time. Haven’t looked back.

  • Gabe

    I was hooked after performing December by collective soul at my high school talent show. Silly screaming girls, loud drums banging behind me, and I totally loved every second. Now if I could just get rid of this silly day job and become a rock star it will all be perfect.

  • http://CommonGroundEntertainers.com Michael Adams

    As early as I can remember, I loved music. My Mom was a big fan of Conway Twitty and Brenda Lee. She also had a reel-to-reel recorder that she taped 50s and 60s off the radio. At the time, the unit was state-of-the-art and the songs were current.

    She recorded me singing Leaving On A Jet Plane. I loved it!

    My cousin John Zucco played a Hammond B3. He had one in his home with a big old Leslie speaker. I wanted to get my hands on it bad!

    My brother Frank began taking guitar lessons from Sister Jean. A nun at St. Christines Catholic School. I had no desire to play the guitar, but loved the way it sounded.

    I began with a chord organ, listening to the car radio and asking Mom and Dad to rush home before I lost the pitch and melody of the song. I figured out the correct key and chords even though I didn’t know the theory behind it.

    I soon began to form my own triads. It was then my Mom scheduled my first organ lessons at age 7.

    About the family:
    Dad: Violin, Sax and Clarinet
    Mom: The radio and great jitterbug dancer!
    Frank: Guitar and Vocals
    Ken: Drums and Vocals
    Mike (me): Keyboards and Vocals, fully stocked studio
    Daughter (Marie): Piano, Vocal, Flute, Trumpet and Mellophone
    Son (Dominic): beginning piano and vocal
    Nephew (Ben): Drums
    Nephew (Daniel): Guitar

  • http://www.cdbaby.com/cd/lachybeckett Lachy Beckett

    Well according to my parents it was when I was two years old after hearing my first Beatles record! They told me that they played all these old classical music records and I didn’t pay much attention to them, but when The Beatles came on that was it! I just remember loving them as a kid and then I gradually expanded my horizons to loving any bands/music and then learning to play guitar. The rest is history!!! :P

  • http://www.natalie-brown.com Natalie Brown

    I’d always been singing and acting as a kid, but when I was 14 I remember singing at a church and people were so moved, there were tears and I remember afterward people wanted to speak to me and tell me what the song and my voice did for them in those moments I sang that one song. It was that experience that made me realize how much power for positive transformation music had and decided that I wanted to do it as my career and use it to touch peoples’ hearts. Music has amazing, transformational powers…

  • Linda

    It was just kind of a given in my family.
    Everyone pretty much plays something instrument wise.

    We always had a piano in the house and I can’t remember a time I wasn’t banging on it and making up songs though I switched to first acoustic and then later rock guitar in my 20s.

  • http://www.terrencemcmanus.com Terrence McManus

    Front row at a Rush concert right in front of Alex Lifeson. I had just been fired from my job that day as an auto mechanic. I was looking at Alex play and thought “I want to do that”. At that exact moment, Alex looked me straight into the eyes from the stage. My whole body felt a tremor. I went out and bought a guitar the next day. I just release my first album. You can find it on CD Baby. Terrence McManus – Album You’ll Never. I’ve sold exactly ZERO copies…but thats ok. I met Alex Lifeson about 4 years later. He told me to never give up. I just turned 56 and I WILL NEVER GIVE UP. Life is good. Thanks for listening.

  • http://www.reverbnation.com/matthewschwartz Matt Schwartz

    I grew up in a singing family. I’m the oldest of 8 kids and we all grew up hearing our parents sing and yodel. We were asked to sing where ever we went. We didn’t have instruments but all learned to sing different harmony parts. At age 15 I got my first guitar and started using instruments with our singing. I had my first solo part to sing in a spring program at school in the fourth grade in front of a whole highschool auditorium and it’s been a love of mine ever since.

  • http://www.rocknrollrehab.com Neal Warner

    I never went through the “girls are yucky” phase that most young boys go through. I liked girls and I wanted them to like me. Then one day, when I was still quite young, something happened that changed my life. It is one of those memories that would be a key scene in the movie of my life. It takes place in my little tropical playhouse my father built for my brother and me that we called The Tiki Hut. My dad was an elementary school teacher (second only to dentists in the category of worst professions for a kid to have as a father, according to him), and as part of his science class he had his students make crystal set radios, one of which I had in my Tiki Hut. A crystal set was a little homemade radio which worked with a copper coil and you listened through headphones. Not the light sponge rubber ones of today but the big heavy ones recording engineers called cans. On this particular summer afternoon in the early 1960s I was back in the Tiki Hut with my next door neighbor, a beautiful little girl named Kimberly. She was in fact, a child model and my first crush.
    I showed her my radio and she put on the headphones and started tuning the dial. She then suddenly went through this weird transition. She shut her eyes tight, she clenched her fists and hunched up her shoulders. And then she started moving her body. Twisting and turning… I didn’t understand what was going on. Even worse, I couldn’t understand the feelings I was getting from watching her move like that. But I knew I liked it. I grabbed the headphones from her to hear this magical spell that she had been put under and what I heard was one of The Beach Boys’ first hit songs, Surfin’ Safari. Then we started fighting over the headphones and I had to kick the little bitch out, but that day I discovered the power of music. I remember that as the start of my lifelong problem.

    From The Rock & Roll Rehab Members Guide (amazon.com)

  • http://www.salcasabianca.com Sal

    It was when I was 13th years young playing guitar in front of my 8th grade class and I realized they liked it and I was hooked. I still enjoy it 33 years later and I will always play guitar and write tunes. I don’t know why only that I love the process and the journey.

    Fun Strumming and quick picking.

    Sal Casabianca

  • http://www.thec-dubproject.com Harry “HarryO” McLoud

    As a young teenager in Dayton, Ohio, I saw The Beatles perform on The Ed Sullivan Show in 1964 and became smitten with the electric guitar. I sought out my close friend Clarence Willis (now the lead guitar of The Ohio Players)to teach me to play. This began my career in the music business in a variety of roles including, but not limited to: guitarist/songwriter, road manager, personal manager, local concert promoter and The Ohio Players’ PR rep. Today, Clarence and I have “The C-Dub Project” as our debut CD release, being sold right here on CD Baby!

  • http://vintage-uk.com TF Harper

    Mom said that I would sing show tunes when I was still in the crib. By the time I was three, I was singing gospel music with my minister/uncle on guitar/fiddle for his congregation in Louisiana. We were too poor for lessons as I was growing up, but when I saw The Beatles on Ed Sullivan in ’64, there was no stopping me. I joined a band and they taught me what they knew, I figured the rest out on my own.

  • http://www.musicbyamandagrace.com Amanda Grace

    I finally accepted that the only career that would work for me had to be in music after my nephew died of cancer. I was the last person in the room before he died and it made me realize how short life can be. After a year or so I gave it a go and recorded my first album for kids.

  • http://www.folkpunk.com T.C. Folkpunk

    For me it sort of happened in two stages. When I was four years old my aunt gave me a Beatles album and I spent the next few months (or possibly years) playing air guitar along to it.
    Fast forward to when I was eleven and relocated to a new school, where I met a guy in my class named Chris and asked him what he wanted to be when he grew up. He replied “I’m gonna be a rock star”, and a light went on inside my head and I said “good idea, me too, let’s start a band”.
    Chris went on to become an aeronautics whiz, but I stuck with the music thing.
    These days he envies my tenacity and I envy his paycheque!

  • http://www.carlpayne.com Carl Payne

    Music has always been a big part of my life. About five years ago I decided to make it my living. I was not sure how successful I would be but I was determined beyond doubt to give it my all. I have played with different groups throughout the years but I thought it would be much easier to make more money going solo. The first two years were a little difficult but now I’m performing about two hundred times a year. I’m not for sure if there even is a “bad day playing music” but if there is such a thing, it sure beats a good day at the office.

  • http://www.bonepoets.com Christopher Bingham

    January 1975, (14.5 years old) I’d been playing guitar for a year and a half. Starting with the bass player, every member of Jethro Tull cane on stage in a flash of light and a puff of smoke – with Ian Anderson coming on last dressed as Aqualung, standing on one leg JAMMING on his flute – I said “I wanna do THAT!”

    August 1979 (19 years old,) the night before I left to study jazz at Evergreen, Mississippi River Festival outside St Louis. I saw Joni Mitchell with Pat Metheny, Jaco, Micheal Brekker, Lyle Mays – and said “I wanna do THAT!”

    I’m not Metheny, Joni or Jaco, but a number of folks say I sound a lot like Ian and I aspire to his level of string writing. Maybe I come close sometimes. I’m 50 years old and music defines the way my brain works. But the first eureka moment was at that Jethro Tull show.

  • http://bartreardon.org Bart Reardon

    My story is exactly as described by Chris in the opening invitation. The experience was so transformative that I wrote a more involved article and posted it on my web site at:

    http://bartreardon.ipower.com/www/McCartyStory.html

  • http://www.bonepoets.com Christopher Bingham

    Be thankful you’ll NEVER see me in tights and a codpeice. Though I love the boots…

  • http://www.joyike.com Joy Ike

    Music was always a retreat growing up – a place to run to, hide, and feel better. I had no important it would become for me. But all through college I kept feeling an itch – an itch that I was a songwriter even though I had never written a song.
    Through a series of events (roughly 6 years in the making), I took up the piano, stumbled through my first few tunes, and then my first few years of songwriting, worked a 9-5 while playing on nights and weekends, and then left my job to pursue music full-time after losing my brother to cancer at the age of 29 (I was 24). It was a mighty roller coaster. But if I had to pick a defining moment, it was the loss of my brother. It reminded me that life is too short to not do what you love.

  • http://www.ebsax.com Edmond Baker, Jr.

    I was 9 yrs old (1980) & a nationally known saxophonist came to my little town of Brazoria TX (pop.2800) & did a benefit concert & the seed was planted!
    I began playing the sax in 1982 (6th grade) & professionally in 2002 & I’ve been climbing the ladder of success ever since! :)

  • http://www.JimGuitar.com Jim Greeninger

    My first word was guitar. My name is Jim and my website is: JimGuitar.com

  • http://www.altenburgh.com Johnny Altenburgh

    I remember all to well the exact moment that I knew I had to be a musician. I was 15 years old (sophomore) and I was a strange combination of athlete and musician. It was towards the end of the wrestling season and for whatever reason, we had the wrestling mats out in the hallway for practice. It just so happened we were right outside the band room and I remember wrestling this senior (who later had been invited to the Olympic tryouts) as he was slamming me here, throwing me there and generally kicking the crap out of me. I noticed that inside the band room was a group of guys rehearsing their rock band. I had been playing guitar and keyboards for a few years…..and it quickly hit me….I’d rather be in there!

  • http://www.erosonic.com Dick Jonas

    Got my first guitar when I was 12 years old. My mom suggested it, and it was some of the best advice I’ve ever had. I wrote songs while in college, some not recorded until 40 years later. “Drugstore Cowboy” was one of them. I had a 22-year career as a U. S. Air Force fighter pilot (125 missions in Vietnam in the F-4 Phantom; went on to fly the F-16 my last five years on active duty). After the Air Force, fifteen years a high school teacher. All the while making music, writing, publishing, recording. Retired from school teaching in 2004; told my wife we were NOT going to retire, because people who retire, die. So, we became full-time musicians. I do classic country, folk, western, and patriotic. CD Baby has been a big part of whatever success I’ve achieved. They’ve made it possible to be heard all over the world. Thanks, CD Baby!!

  • Bob Atchley

    I’ve been singing in public since age 5 and playing guitar to accompany myself since 18. I wrote a few songs in the 1970s that were recorded. Then I attended the Song School for singer-songwriters at Planet Bluegrass in Colorado in the summer of 2008 and realized that I am a song-writer. I started working on my list and am now up to more than 30 pretty good songs. I’m part of a performance workshop once a month to keep moving forward in my performance skills. I realized in 2008, when I was 69, that I wanted to be more than a dabbler in music; I wanted to honor my musical gifts, such as they are. I have recorded two albums of my original music, which you can find on CDBaby.

  • http://www.cdbaby.com/cd/rosslafond Ross Lafond

    I first fell in love with music and wanted to become a musician when I was 9 years old. My brother bought me a Metallica cassette tape and I listened to it everyday. A few years later I received a drumset as a birthday gift, and that was the real start of my becoming a musician.

    As I got older I grew to enjoy all sorts of different kinds of music, namely electronica. When I was fifteen I finally got into producing my own music, which turned out to be goofy sounding techno. Luckily, people grow up and mature, and my music has grown with me. I am 24 now, and more passionate about music than ever before.

  • http://mambokings.com Little Elmo

    When I was in the 8th grade I got a chance to see BB King from back stage while collecting soda bottles in the Alley of where the club was. The back door man gave each of us a coke (7oz Bottles) and we saw the big man through the blue smoke from the lights of the club. That’s when I knew I was destined to be a performer, just fit like a glove. That was a long time ago.

  • http://davesteinmusic.com Dave Stein

    For me I started playing and writing to express myself at twelve. I remember the moment I was sitting in my dorm room at 19 when I realized I was going to write songs and sing. I was on mushrooms at the time. Yes I wish I were joking but it’s true. Still this was the real me feeling it, just without any consideration for earning a living or any industry connections. It’s been a wild rollercoaster, no regrets! Some real highs, just as many lows. But I can’t deny I’m a musician!

  • http://www.hershelbutts.com Uncle Hershel Butts

    I was about 6 or 7 years old when I heard the Grand Ole’ Opry on the radio back in 40′s. I knew from that time on that I would live in Nashville Tennessee and be on the Grand Ole Opry . It took me until 1969 to get to Nashville because of the service and everything else, but the dream never once left my mind. I learned to play every instrument that I could get my hands on, and learned to sing and write songs. After 40 years in the Music City, I would not trade it for anything on earth. The memories are great and I have been around and played with almost everbody in the business. Follow your dream and do what you know you have to do. It’s the only way you will ever be happy.

  • http://www.johnmiltonwesley.com John Milton Wesley

    2/16/11

    It all started on the piano in my grandmother’s front room in Ruleville, MS. First there was a little tinkling on the keys, and a melody developed. From that melody I learned enough to pick out “How Great Thou Art”. Soon after, I heard Smokey Robinson’s “You Really Gotta Hold on Me” and picked out the opening bars, and found the melody and began practicing it. Then one day bad weather forced all of the students to the gymnasium, and several of us gathered on stage, and a piano was there. I sat down and played my version of “You Really Got a Hold on Me” and kids came running to the stage to see who was playing it. I was amazed!

    I later joined the school choir, and when I moved to Jackson, MS in 1963 I joined the high school choir. There I was discovered by Dr. Ariel Lovelace Tougaloo’s Choir Director and professor of music, and Dr. Ernst Borinski, PhD (Political Science) who knew of my interest in politics and law. Dr. Lovelace gave me an audition, and Dr. Borinski promised to help me get a degree in Political Science, and English Literature. In exchange I would perform with the concert choir for four years. As a result, I was on stage at Carnegie Hall with Duke Ellington and his orchestra on April 4th, 1968 the night Dr. Martin Luther King, Jr. was killed in Memphis. Though my dream to be like Duke was strong, my urge to work toward freeing my people was stronger. I became a journalist (TV and Radio) and a published author (prose & poetry).

    Fast forward to 9/11/01, and I lost my fiancée on flight #77 that crashed into the Pentagon. We were scheduled to be married on December 22, 2001. She (A national Geographic Fellow) was taking one of her students (11year old Asia Cottom) on a deep sea diving outing in Santa Barbara, CA.

    My world came to a stand still.

    She had encouraged me to pursue my music. For my birthday on December 18th, 2001 I decided to give myself a small Yamaha keyboard, though I had Sarah’s (almost new) piano in my living room. Soon my healing was connected to the music, and practicing and over a period of six years, I wrote and arranged more and more songs and now I have forty (40) originals in various genres (Jazz, Blues, R&B, Old School Soul, Reggae, Afro-Cuban, Bossa, Samba, etc.). On December 1, 2010 I released my first CD of my music “Salvos The Music…Part I”. When I heard my arrangement and recording of “In My Arms Tonight”, at that moment I realized. I am a musician!

    You can check it out at: http://www.ReverbNation.com. Just enter my full name and follow the link.

    Thanks for allowing me to share my story.

    John Milton Wesley

  • http://www.avisharrell.com Avis Harrell

    One of my greatest accomplishments was writing, arranging, and producing my entire album/Cd project titled AVIS! “Self Contained”. Born into a family of singer, I’m sure I was destined to become something or someone in the music industry. I’ve always tinkered with the piano, and like painting; I could play a little without lessons. Later on, I did study with several private tutors as well as at LACC (Los Angeles Community Collage) to learn enough to create my own original songs. Sometimes God gives people special gifts. dreams and talents and I believe that we should use them. I believe I’ve done so and continue to enjoy many musical epiphanies! I sure hope all of my peers will pick up a copy at http://www.cdbaby.com/cd/avis to enjoy what I consider a dream come true! http://www.avisharrell.com http://www.facebook.com/avisharrell

  • http://www.reverbnation.com/ljsuaylo suayphil

    I was listening to Fu-Gee-La by the Fugees. I had been making records long before that. But sitting in the car on that one particular day over 15 years ago made it all make sense. That song inspired me to really make songs that have purpose!

  • http://myspace.com/officiallocdogg LocdoGg

    Ever since I could remember music has always been apart of me. I grew up listening to K.I.S.S. along with a bunch of music but when i was 13 I started freestyling to my mom when she would tell me to go to bed. I love all kinds of music but I find myself rapping alot. I think the moment I realized I am always going to be music is when I was 13 and I dissed my mom by sayin “no i dont want no mom. my mom smokes crack with the pipe that she got from me. Hangin in the back stage at every concert smokin all my shyt for free” (goin along with the no scrubs melody). from then on its been music music music. i taught myself how to take beats and record with decent quality in my own bedroom on crappy outdated computers. I have always been a musician, i just wasnt always sure of it.

  • http://workinprogress Sneaky Pete Rizzo

    Although it was a long, long time ago, I still remember the exact moment I decided that I wanted to become a guitar player and start a band. I had just graduated from high school, and was working in the steel mills in Gary IN. I came home after work one day and heard “Johnny B. Goode” by Chuck Berry on the radio. The guitar riffs just blew me away, and I knew then that I had to buy a guitar and learn those licks!

  • http://www.BergevinBrothersMusic.com Jon Bergevin

    I studied piano from age six to sixth grade and then knocked off. In the mean time, I went to Catholic school until the end of 10th grade at which time my folks said I needed to go to public school.

    It was probably my second day at the public High School (Lake Washington High in Kirkland WA). I was walking down the hall near the music room and heard this amazing swinging sound coming from a choir. I peeked my head up against the glass window and the choir was singing “Love Walked In” and they were on the risers swaying back and forth and swinging like mad.

    It was at that moment that I knew I wanted to become a musician. I just had to get into that room somehow.

    I few days later there was a posting on the bulleting board indicating that choir try-outs would be starting. The rules were that you had to prepare a song and sing it in front of the existing choir and the choir teacher.

    I did some research on the choir and found out that Jack Kunz and his choir had won the state championships the last 13 years in a row and that Jack was a nationally acclaimed arranger and director with many published arrangements for concert and Jazz choir.

    I prepared a song “Don’t get around much anymore”, by Duke Ellington and Bob Rusell.

    Try-out day came and I sang my song. I was really hoping to nail down the piano seat, but found that the school had the all-state piano player (an award winning Junior named Reuel Lubag).

    After I finished singing the teacher asked me to sit at the drums to see if I could play. It turned out that I had the rythym which I attribute to being a tap dancer from a very young age.

    A few days later the roster was posted with me on the drums.

    Later in the year, Reuel the piano player and I would switch seats and I would play the piano and he would play the drums. We toured for two years and one many competitions at festivals, etc.

    I went on to major in music with a focus on commposition and arranging and was scoring for big band my freshman year of college.

    I am still at it all these years later and have since studied Jazz piano with many great teachers in the Seattle area. I gig quite often and do a lot of studio sessions and producing. I’m currently getting engaged in scoring films.

    Music is my life!

  • http://noneyet Sneaky Pete Rizzo

    Although it was a long, long time ago, I still remember the exact moment I decided that I wanted to become a guitar player and start a band. I had just graduated from high school, and was working in the steel mills in Gary IN. I came home after work one day and heard “Johnny B. Goode” by Chuck Berry on the radio. The guitar riffs just blew me away, and I knew then that I had to buy a guitar and learn those licks!

  • http://www.simonpcfrost.com Simon PC Frost

    My Mum’s family were all musical. The grand piano in my house came from my Mum’s parent’s house in the UK and was the instrument we all learned on. My Dad was the illigitmate son of a professional musician, so it was in my blood, and in our home.

    It was only when I got to the piano, then the trumpet, then the guitar, that it occurred to me that I might have an aptitude for this $h!t. By 19 I was playing seasons at resorts, soon after that touring, recording, concerts, whatever, and to this day, still learning, creating and playing.

    The epiphany, I think, was when I realised that although I read music, I would much rather play what was inside of me than was on the paper in front of me. I would much rather play from my heart and soul than from my eyes and fingers. I guess I must have been in my early teens, picking up a guitar for the first time, know it was what I wanted to do.

    -s

  • Sneaky Pete Rizzo

    I remember the exact moment I decided that I wanted to become a guitar player and start a band. I had just graduated from high school, and was working in the steel mills in Gary IN. I came home after work one day and heard “Johnny B. Goode” by Chuck Berry on the radio. The guitar riffs just blew me away, and I knew then that I had to buy a guitar and learn those licks!

  • Sneaky Pete Rizzo

    I had just graduated from high school, and was working in the steel mills in Gary IN. I came home after work one day and heard “Johnny B. Goode” by Chuck Berry on the radio. The guitar riffs just blew me away, and I knew then that I had to buy a guitar and learn those licks!

  • http://www.frankcraven.com frank craven

    I was in 9th grade, hanging out alone in a stairwell and someone gave me a harmonica to play…well I just started breathing in and out on it and before you know it, I was bendding notes and making tunes just like a duck takes to water! I was in Barcelona Spain (growing up) so classical flamenco & folk/blues were just in the landscpae, plazas, bars,homes etc.
    My folks did take me to see the Beatles live at Hollywood Bowl and like the rest of the Beatlemaniacs, I spent the concert screaming like a banshee…
    and I guess their lyrics and music converted me to the magic of it all…

  • http://www.cartoonphysics.net Pete

    I had my “holy” experience while recording in a 16 track studio – I was the drummer and we had got all the basic tracks down, plus the lead vocals. We were sitting in the control room listening to the playback and practicing harmonies before going in to record them. I closed my eyes to better focus, and for the first time I “saw” the music, in vivid technicolour 3D. That was around 20 years ago, but ever since then I’ve been able to close my eyes and see music, and when you are part of it – there’s nothing better.

  • http://www.myspace.com/sunfightermusic Trevor

    I heard John Lennon screaming out Twist and Shout and thought… That’s for me.. then I found out that musicians got the best looking girls and thought… that’s for me.

    Now I try and take my music more seriously

  • http://www.celticharpmusic.com Anne Roos

    I attended a Winter Solstice Festival at Cal State Northridge in Southern California, and there was a lady there in a booth filled with lovely little harps. She said to me, “If you want to learn to play, I can rent you a harp and teach you.”

    I thought, “I have an incredibly stressful job. I need to do this.” That was almost 30 years ago.

    That woman, Sylvia Woods, has become one of the world’s most foremost arrangers for the harp and has recorded and written music for soundtracks for harp (including the Dead Poet’s Society). So, just by happenstance, ended up taking instruction from one of the world’s best Celtic harpists.

    And if someone told me all those years ago that I would be making a living playing the harp, I would have told them they were crazy. It just proves to me that we should never pass up an opportunity in life, because we never know where it might lead….

    Anne Roos

    http://www.celticharpmusic.com
    Author of “The Musician’s Guide to Brides: How to Make Money Playing Weddings” published by Hal Leonard Books

  • http://www.octobresending.com Revfear

    As a kid listening to radio in my parents car turned me onto Burt Bacharach in a big way… Soon I was singing in choirs. At 14 we were sitting in a friends basement (having our first beers) while listening to Kiss Destroyer which changed my life. That was the day my friends announced that we were starting a band and that I was the bass player. I joined the club at that moment and never looked back.

  • http://www.conversationswithdog.us Greg Allen Morgoglione

    It was 1992, in a hotel room on a mundane job, when I said aloud to myself “I am not gonna die without having played my music in a coffee shop and put out a tip jar, just to see what happens.”

    I wrote a song called Human Race about that very hotel room.

    Anyway, near 20 nyears later I direct a small musical non-profit, and today I posted this on the Opportunity of music that is staring us all in the face, ignored…

    http://www.thenowexspirientuality.net/speak/?p=393

    Best of Now, always,

    Greg

  • http://gregfernandezjr.bandcamp.com greg fernandez jr.

    From as far back as I can remember, I would lip sink to the tunes of the Stray Cats. Before America’s Home Video’s was on the air, a little 6 year old boy by the name of Greg Fernandez Jr. would face the camera and the blaring lights of our personal tape recorder and imagine that he was on stage, in place of the Stray Cats. While singing along to music in the car, my step-mom turned to my dad and with a serious look on her face, said, “Our boy should take some singing lessons.” I never did, but right around the time Snoop Dogg’s song “Gin & Juice” came out I bought a karaoke machine.

    On side B of cassette singles back in those days, songs would have instrumental versions I could write to. I spent several years doing that before I ever got a mixer. I met Dublin Beats, my friend and producer, at a high school talent show, where I was the only rapper – and I lost to dancers, a magician, and a tap dancer, ugh! Not even that could stop me. the next year I performed three times in the talent show and still lost. Yet the applause that I got from that show, and the reaction afterwards helped me stay positive and continue to record songs.

    Recently I had my song on a local radio station in a “battle of the unsigned” type of deal where two unsigned artists battle it out, and listeners vote for who is better. The voting poll never was put up on the radio station website and no call in number was left. since my friends and family could not vote for me, I automatically lost. Worse, the song I lost to was called “Drunken Texting.” I should have known then. My song was a positive dance song with real content – something that would make people dance and soemthing that could be enjoyed by people of all ages, genres, ect.

    Eventually, I found a genre that was more accepting than the pop genre, for now…

    That’s just the beginning of my story. Every day from here on out, that story continues…

  • DW

    Our first rehearsal as a rock band was exactly the story told in Frank Zappa’s “Joe’s Garage”. We were playing in the drummers garage, with his drums crammed in next to his dad’s Dodge, I had a cheesy Fender amp (though not a Fender Champ) and a Farfisa mini-compact, the guitarist had a Woolworth’s guitar which is probably worth big bucks now but was a real cheapo back then, the bass player and drummer had more respectable gear. We played “Louie Louie”
    over and over because it was the only three chords we new, and the lady across the street came over and said “My baby’s sleeping, I’m calling the police”. And she did. With a start like that, there was no turning back.

  • http://www.riczweig.com Ric Zweig

    I was sitting as a Criminal Court Judge in Miami, Florida’s 11 Judicial Circuit presiding over a 2nd degree murder case when I began daydreaming about the music career I abandoned when I was accepted into the University of Miami School of Law many years earlier. I knew at that moment it was time to try again. Shortly thereafter, I retired from the legal world and entered the music world as singer/songwriter/guitarist. The best decision of my entire life. Music will get you through times of no money better than money will get you through times of no music. Hear for yourself at http://www.riczweig.com.

  • Jan Benschop

    I was seven, living in Curacao. My brother, a student at MIT, flew in from Boston for Christmas, bringing an LP of Benny Goodman’s band playing Swing, Swing, Swing. I was hooked: I was dancing, drumming, laughing.
    Skip to age 11, living in Vermont and my sister gave me a cheap guitar she didn’t want. I sanded off all the cowboy and Indian pictures and tried to tune it to no avail. Skip to 16 years old in Virginia Beach: a cousin flies in from Holland, repositions the bridge on the guitar, and plays “Santa Catalina” and shows me three chords. I take it from there, soaking up Peter, Paul and Mary songs while learning. Later, I ended up opening for my idols, and for John Denver. Haven’t stopped since.

  • Jan Benschop

    One more thing: I’m sixty now.

  • http://www.reinaldogarcia.com Reinaldo Garcia

    I haven’t felt comfortable calling myself a musician until very recently, though I’ve been writing songs steadily since 1972. (I now have over 900.) I’ve always felt I could call myself a songwriter, and a good one.

    Writing songs was fairly easy, but then giving them to musicians to play (for my CDs) was always a difficult process. Many musicians make a fetish of being “artistic,” which translates to “late and unprepared.” Or even drunk and stoned. I needed several years to find reliable and talented musicians, and as I trusted them more, my resistance to musicians in general faded.

    By then being able to relax around the hired guns, I was able to integrate with them, because the ones with whom I work now I respect very much. And now I’m a member of the club.

  • http://www.littlelarrysings.com Larry Healey

    My Dad was a musician. his band used to practice in our basement. When I 5 years old I rememeber sitting on the stairs watching them play. They were a working band so I would get to go to some of their gigs. I was hooked, but it wasn’t until I was 12 years old in my room singing and imagining I was in front of hundreds that I new. I remember saying, “this is what I’m going to do for a living.” I’ve been singing and playing ever since and that’s all I do to make ends meet.

  • Patrick Ferreri

    In my grammar school, which was the Luther Burbank School in Chicago, we had a separate teacher for music, just like the way that most high schools are run. Our music teacher had us all sight-singing using the John Curwen “Movable Doh” system. By the time we graduated, we could all write three part harmony to any tune.
    As far back as I can remember, I was always fascinated with the music of Chopin, Mozart, Bach, etc. Then, at the age of 11, I took up the guitar. I was amazed with the improvising and arranging skills of Les Paul, on the Les Paul and Mary Ford recordings. Then, one day, my step mother got a batch of Les Paul and His Trio disks for me. At first, it was over my head, and I wasn’t sure that I really liked it. Soon thereafter, I was smitten with it, and recognized that it was far more sophisticated and far more creative than anything I had heard come out of a guitar before. I fell in love with Jazz and became a devotee.
    At the age of 15, I was a regular “sub” on WNG radio and TV, and at 16 was hired on the American Broadcasting Company’s Staff of Musicians as a guitar player and arranger. I stayed there for 11 years. Following that, I became a very busy musician as an often hired had by the Chicago Symphony Orchestra, Lyric Opera of Chicago, and at least 15 recording sessions per week for radio and TV commercials. I have been truly blessed by God, and I can’t even conceive of having done, or now doing, anything else for a living or as a profession. I am still fascinated by melodies, chords and rhythms that capture one’s imagination — and do not even need lyrics in order to do it.

  • http://Www.atbstudios.com Walter

    For me it started in the 6th grade when the Junior High band came to our elementary school to recruit new musicians. Like every other young blooded boy I wanted to bang on those drums so I was determined to sign up for drums. Well I entered Junior High and instead on band I got art, what a disappointment. Then in the school bulletin came the announcement there were openings in band. I rushed down to claim my place as a drummer only to learn they were all taken. So the band director began to show me other options. For some reason I had determined I would not play an instrument I had to blow into. So he showed me the tuba, French horn, trombone, and bassoon all these sparked no interest. Finally he offered one more instrument that no one had played in years. As my tiny framed body looked upon this giant I knew from this day forth I would be a bass player. And so 37 years later I still love my bass guitar.

  • http://www.phoenixrisingband.org Kathy Boyd

    My moment of “epiphany” arrived in junior high when the US Navy Band (the country version) came to our school. I even remember the song. They broke into “Lay Down Sally” and all of a sudden I KNEW that that’s what I wanted to be doing in life.

  • Richard Redding

    I was a student at college when a melody came into my head that would not go away until I wrote lyrics for it. Then one day while at the record shop I found my self looking for the record when the realization came to me that it was my song and I had not recorded it.

  • http://www.fireballs-original.com George Tomsco

    My magic moment ‘frozen in time’ to become a guitar player -9 years old, 3rd grade, Columbian school, Raton, New Mexico. The Amadeo brothers did a 15-20 minute assembly in the gym. First time I’d heard or seen two electric guitars in one small amp. “Guitar Boogie Shuffle” – Hello music !!…now I’m 70…you do the math.

  • http://www.artok.org Rob Taylor/Artok

    I was already drumming at a young age, my love for playing was there, but the decision to be a musician and have a career came when I went to a midnight showing of Led Zeppelin’s The Song Remains The Same movie at a local theater. I knew then what I wanted to. When John Bonham went into his drum solo that was it for me.
    I wanted to be a rock star period :) I have had a long career in this business and still pursue the dreams.
    But that was the moment that took me over the top.

  • http://www.myspace.com/kingjrecords king j c-gladney

    it all started when i used to play records for my parents as i was a little boy 8 or 9 years old-i used tp spin 45s albums on weekends for family partys this went on for years .then one day i went to the pawn shop in memphis downtown and purchased a bass guitar from there music was my history- ilove music and played music now i produce music/music / music.at this point and time i have a catalog of over 700 music tracks 200 songs and 17 complete cds some never heard under king j records/chicago the indie professional label called kjco my music is top of the line productions featuring online spots on over 700 music sites/pages discover king j today-king j music ,blacksky productions,http://www.cdbaby.com/kingj we lookin for music jobs contact me now for more info email me .thank ya king j

  • http://jimcrozier.com Jim Crozier

    Although I had had music lessons of various sort from an early age, and could always carry a tune, probably before I could talk, -

    One day in sixth grade, after moving to a new neighborhood, a new friend came over to my house after school. He saw the ukulele that I had recently inherited from a late uncle, picked it up and said “I know how to play this thing!”. He proceeded to show me how to tune it and play three chords – it never stopped after that – got my first guitar on my birthday a few months later – and the Beatles were on the Ed Sullivan Show a year after that.

    I was never not doing music again.

  • http://facebook.com frank fiore

    Somehow I alway’s knew i would become a musician. My love for music started at a very early age,and it still remains there. I have 50+ years as a professional musician.The labor of love. I wrote a book “The Ups And Downs Of A Musician” Author Frank Fiore This book can help you become a better musician. It is inspirational. Any one who is or wants to be a musician,should read my book.
    Purchase this book at Amazon.com Publish America.com Amazon Kindle books starting in March 2011
    Sincerely
    Frank Fiore

  • Laura P. Schulman

    It must have been when my Aunt Dede stuffed me into that tiny gorilla suit at age two and pushed me out on the stage to sing “Abba, dabba, dabba, dabba, dabba, dabba, dab, said the monkey to the chimp.” We were playing a benefit for the Muscular Dystrophy charity, or maybe the Cerebral Palsy charity….like so many others, music was (and is) a way of life for certain branches of my family. It’s our way of relating to the world. As soon as you could toddle on your own two feet, out onto the stage you went. It never occurred to me that it could be any other way, until I went to school and saw those poor unfortunates who sat in front of televisions and had no life of their own.

  • http://ferenzik.com john ferenzik

    I always wanted to be an astronaut. But I was uniquely unqualified for that position. So being a musician seemed like a good second choice. The exact moment? It was more like, “How did I get here?”

  • Kathy Covert Jensen

    I was a little squirt, watching my sister trying so hard to learn her piano lesson songs. When she got done, I’d climb up on that stool and easily repeat what I’d heard. Pissed her off! Later, she got a guitar. When she wasn’t home, I’d sneak it down from the top shelf and study the Mel Bay book. When she found out, she was NOT happy at all. But by then she was losing interest so she sold me the thing for $15.

    When I was in my early twenties, I had thought playing music for money was some form of prostitution. But I had two babies and a husband who needed surgery. When someone offered me a job playing a piano bar, I reluctantly took it, because I could nurse the little one, put him to bed, go play 8 – 12 and be back before it was time to nurse again. I hated it. At first. But after I finally got my feet wet in this new and strange environment, and saw the value in getting people singing together and having a straight out good time — I was hooked!

  • http://www.cdbaby.com/cd/page1music Page1

    I fell in love with music at an early age. I would perform all the Micheal Jackson songs. When I came in contact with rap music I was blown away! One of the guys in my neighborhood was a rapper, so I ask him to teach me how to rap. He told me that he would get words from the dictionary and put them together.
    So he made a rap for me and I took it home and re-wrote it. Once I memorized it I started performing it for people. Right away people liked my style so I keep writing raps. I say raps because I was yet to make a song. 1985 I made my first song to an instrumental 45. 1989 I recorded my first demo, and 1999 I released my first single. My latest work can be found on cdbaby.com/cd/page1music its titled “True Hood Stories” because its 90% true…..

  • http://www.kristengraves.com Kristen Graves

    Lilith Fair ’99 Tour. It was amazing, life-changing, and inspiring. I was a high school teenager, who hadn’t really seen women singer/songwriters perform before, and I was blown away when I realized that I could do it too!

    -Kristen Graves (kristengraves.com)

  • Brant Lyon

    It began with a crush on the girl across the street who played accordian. I was maybe eight. I wanted to play accordian, too. But the music teacher’s studio was at the foot of the tract development and the instrument, lugged by me for blocks, was heavy, and that got old, fast. Switch to piano lessons after that. Why? Who knows why someone pursues a life in music? It’s your karma, it’s your soul. It’s not a choice except the one you agreed to before you incarnated. I’ve had many detours and adventures in all kinds of pursuits besides, music over the course of my life–most notably a career in human services and literary things, but music is a lifelong love affair that can never be forsaken for any other, and my life would be hollow without expressing myself through the medium. Nowadays, I work with poets / spoken word artists who combine their / my words with music, which I frequently compose and perform for them to order.

  • http://www.tafxkz.info Ta’fxkz

    It was a lifetime of knowing i was a songwriter, and not stepping out. Until one day i was 30 years old and i decided that i was going to do my thing regardless of anything else.

  • http://kamfalk.com Kam Falk

    Although I had been studying classical piano and cello already for about 5 years, I was just going through the motions and trying to keep up with my big brother until I discovered the album, HEAVY WEATHER, by Weather Report. Jaco’s bass playing on that record was so influential that I became a lifelong bassist and jazz fusion fan. Ironically, I was very lucky to be afforded lots of opportunities play jazz throughout the ’80′s, along with Top-40 gigs and original music. I used to think rockers often graduated to become jazz players but, in my case, the opposite took place. Not much work playing jazz these days, but I’ve been enjoying rock and r & b gigs, cruise ship work and even two years of touring in a country band playing keys. Now I own and operate the Falkreations Music (BMI)indie label with four releases and can’t imagine doing anything else. Praise the Lord for making it possible. Thanks CD Baby, for offering indies a great platform to sell their wares online.

  • http://www.myspace.com/robbyxjblues Rob

    When I was 6 years old we moved into a house that had a piano in it. Guess the last owners didn’t care for it or was too big and they left it there. Well I really don’t know why but it was like a magnet and my mother couldn’t keep me away from it. She didn’t mind at all though. Kept me in the house. To me it just sounded so beautifull. I toyed around with the notes and the first song I was able to learn by ear was “the homecoming” After that I started creating my own melodies then I got into the lyric writing. On my eleventh birthday I asked for a guitar and that’s been my main instrument since. Well that’s my story. Still doing it.

  • http://www.joemcgradymusic.com Joe McGrady

    I think it was after I played live for the first time. I had been playing with a few friends for a year or two but we finally got a bass player and started rehearsing 1 song (All Right Now – Free) to play at the a high school concert. After I stepped off the stage I knew that I could never stop playing music. It was the greatest high I have ever felt, and I still feel the same after performing.

  • http://www.angeloakdesign.com Chris Goethe

    It was like yesterday. Charleston, South Carolina, inn the summer of 1974, my friend Frank Cone was playing, I Have to Say I Love You in a Song, by Jim Croce, and girls were swooning. It was at that moment that I knew I had to play guitar.

    I have been playing semi-professionally since the late 70′s and am still playing today. For me, playing guitar has brought terrific highs, secured attention from girls, ushered my wife into Heaven, led in P&W, helped secure a new wife, and, the least of these, made additional income for me and my family. I am so glad I persevered during those tough guitar plateaus.

    Music has enhanced the quality of my life ten-fold.

  • http://wesleypatterson.com Recording Artist Wes Patterson

    When I was 17, I woke up one day out of the blue & programmed a drum patch on my brothers Moog Prodigy. I played & recorded a beat onto cassette for around 6 minutes. Then I reprogrammed a bass patch, played the drums back off the cassette into a mixer & recorded a bassline over the drums onto another cassette deck. The crazy thing is that I still have that master cassette today!
    Flash forward to 1983, I never played anything again until I went into the Air Force & my brother purchased a Emu Drumulator drum machine when I was home on leave while visiting him. I programmed a few beats & jammed along playing moog bass onto a metal format cassette for maximum fidelity. I still have those masters as well!! lol
    My defining moment was after I arrived to my first duty assignment, my brother (a bass player) sent me a cassette with him throwing down to drums & a new synth, a sequential circuits six trax. I was so inspired, I purchased a bass, a boss Dr Rhythm DR-110 & a Casio CZ-101. I started making songs of my own & now it’s my profession.

  • http://musiconestudios.com Janet Murray

    Every child was expected to experience some phase of music when I was little. So my sisters and I had piano lessons, starting at age 6. Moving around the country with my Dad’s job and the War meant studying with different teachers. But my Mom kept putting me back into lessons. Even in college, my first major was music. But an early marriage and a big family, which I raised by myself for ten years and needing to help financially, I became a real estate broker. But, guess what?! In the back of my head, that little voice spoke from deep inside me: “what I really want to be doing is music”. Well, the family is all grown, I found a little house for a studio, and I went from teaching business to teaching music. Finding a concert pianist to guide me 10 years ago, I have completed a 3rd CD (the first two were dreadful!), and you can find it on CD Baby: “Sounds from Another World” on Amazon and iTunes. And I played at Carnegie Hall in April of 2009, going back this April 23 at 2 pm. If you are in New York, your face I want to see!

  • http://www.butchross.com Butch Ross

    As long as I’ve been alive I wanted to make and play music. But one day, while trying to learn how to play something, I realized no matter how much time I spend on it, I will never know everything that there is to know about music. I knew right then that I’d be a musician for the rest of my life.

  • Debbie Lawrence

    When I was three years old my oldest sister says I climbed on our piano bench and picked out Silent Night with one finger, and I always say that’s what made my mom think, “Guess I’d better get this kid some lessons.”
    I started taking piano lessons when I was five, classical, but I played lots of songs from the Sixties–the Monkees, Motown, the Beatles, the Doors, and camp songs, which I taught myself on the ukelele. I also began teaching chords to some of my friends, and I accompanied a few musical theater productions when I was a teenager, culminating in a trip to the White House, where I played for Mrs. Nixon.
    I played in New York and San Francisco, and accompanied lots of musical theater, chorus and soloists, and have a CD of original music on CD baby. I’m not sure when I began thinking of myself as a musician; my sisters always sang in church, and I played for them. (There were 13 of us.) Maybe it really dawned on me that I was a musician when I played an entire show–Fiddler on the Roof–as a teen .

  • Matt alston

    I was born a musician, get it honest. I remember riding my dads tour bus when I was a kid. I would carry his guitar case to the stage, do a mic check. Then dad threw his record deal away my mom was the cause. I play the guitar,drums,and the bass. I am a singer/songwriter,just cut my cd in Nashville soon to be released.I was raised on Waylon Jennings and all the old outlaws. So know I sang and write outlaw country it’s breed into me,it’s who I am.

  • Roberto N.

    A bizarre journey….When I first saw Michale Jackson I thought music was so cool. Though, I started out wanting to be a Jet Pilot..flying at the age of 14 working at the local airport as a Glider/Sailplane line boy. Played drums at age 11 because my brother’s high school rock band kept the equipment at our house.

    It all turned into something when I fell in love in high school and started writing poetry with my older sister’s help. That turned into humming a melody and I realized I could turn it into a song. Wow! I thought..this could be something. I then started piano lessons at 16. The strike of lightning truly came when I heard the group THE POLICE. I was already in college by then and their first record was a huge hit. So in college I started taking more and more music courses…..the Dean was not happy with me. I was accepted into the music program by default due to the many courses I had taken.

    Upon graduation, my pilot endeavors brought me to California. I landed in Los Angeles to visit with family and when I saw the Hollywood sign in real life I was done with flying as a career.

    My piano playing and song writing got better(today I fully orchestrate and Produce) but it was my singing that led me on an incredible path to success. Ironically, I worked with Michael Jackson on “Man In The Mirror” as a session singer and when I performed on the Grammy Awards to an audience of a billion I felt like I had an out of body experience. My life flashed before my eyes. 70 million records later and multi platinum record awards it was a choice I could never regret. The experiences have been priceless. Dream your dream and follow your heart…with a plan if possible and some cash. LOL.

  • MouseBoss

    I became a musician so that I could plough through endless weekly emails from a million and one online music distributers offering faddish advice on how to ‘monetize’ the ‘product’ of my creativity (using their services, of course).

    I became a musician so that I could become an accountant, a manager, a PR guru, a radio-plugger, a desktop publisher, a mailing clerk, a cd manufacturer, a web designer, a graphic artist, a blogger, a lawyer and a social networking whore.

    I became a musician so that I would have no time (and a dwindling inclination) to be a musician anymore.

    Then I got a proper job and started playing again.

    http://www.WeAreManOrMouse.com

  • Bryce Black

    Just a Wannabe
    © 2002 Bryce Black

    I realize that I’m just a wannabe / When up on the stage I climb, most people flee
    But I dream I could be a star / It seems I would go real… far
    if I could only play in time and sing on key

    chorus I
    And my secret life’s ambition / is to be a real musician,
    to make these clumsy fingers move / in syncopation to the groove
    and sing in perfect harmony / but I’m just a wannabe.

    I never get invited to the jam / but I show up anyway and say, “here I am.”
    When I sit in the guys / grit their teeth and roll their eyes,
    and turn my mike down low as they can.

    chorus II
    But did I tell ya my life’s ambition / is to be a true musician,
    to improvise like John Coltrane / and spew new music from my brain
    and fill the air with ecstasy / but I’m just a wannabe.

    I stayed up all last night, to write this song / It was, by first daylight, thirty verses long.
    Though the same three little chords / repeat you won’t get bored
    though I suppose I might… be wrong.

    chorus III
    And did I mention my life’s ambition / is to be a great musician,
    so round the world, my songs are heard / and my name is a household word,
    but that fantasy I ain’t gonna see /‘cause I’m just a wannabe,
    I’m nuttin’ but a wannabe,
    I’m merely a wannabe,
    yeah, I’m just a wan-na-be.

  • MouseBoss

    p.s. Hello Jon Ostrow. Fancy meeting you here. Thanks for your lovely review in MicControl.

  • http://www.fashionlukesky.com Luke James

    I was eleven-years-old and we were living in a tiny city council slum in Birmingham, England. One bright and freezing Saturday in December I strapped on my blue plastic Beatles guitar, slapped on my Woolworths black plastic Beatle wig, and tucked my shirt collar inside my shirt. Then I strode out onto the “stage” that faced the tiny patch of icy mud we defiantly called our back garden. I stood shivering on the stage, a small, cracked patch of cement outside our bog window. While my kid brother, Roy, set up his biscuit tin and saucepan lid drum kit I did a sound check. That is, I turned on our crackling red and white transistor radio and checked to see if any sound was coming out of it. Through the bog window I caught a whiff of cigarette smoke and heard the dulcet grunts of granddad straining away. I twiddled the tuner and Radio Luxembourg faded in. The Rolling Stones were clattering through “Come ON”. We didn’t have long to wait for what we wanted, only Roll Over Beethoven by the almighty Beatles would do for us. Our audience was always the same, the empty balconies and blank windows of the tower block opposite. We were both a bit scared of the rough kids that lived in those tower blocks, and their Dads, older brothers, and dogs tell the truth. So these shows were my first experience of dealing with stage fright. So, needing just that little extra bit of swagger, I was always John Lennon and never mind what song was playing. The bloke next door was burning something rancid and smoke wafted across the stage just as the song started. In my mind the light of the grey afternoon dimmed and the roar of an unheard crowd rose to howl and scream approval. The world lay at my feet.

    The whole sordid tale of my life as a professional musician is in my memoir, Stairway To Nowhere, available at:
    http://www.lulu.com/product/paperback/stairway-to-nowhere/6483321

  • http://creamofturner.com David Marino

    An experience I had that stands out to me was in 1983, being 10 years old and listening over and over again to Jock Homo by Devo and Styx’s Mr. Roboto. Truly exciting, infectious music!

    I couldn’t learn enough about Devo, I was spellbound, never experienced anything like them, like I discovered my own planet that took me away from the boredom and conformity. The same was true with Billy Idol, Bowie and punk rock.
    Edgar Varese, Bartok, modern artists, the Velvets, german groups like Can and Faust and finally Richie Unterberger’s book on Unknown Rock Legends completed the initiation into creating music.

  • http://rogerpaulmason.com roger

    i came home from school.. to a friends house and saw nirvana on Mtv. i know that’s ridiculous. but that’s when i quit soccer and piano for guitar. now i produce rock and roll freelance and am about to go to brazil for the 2nd year in a row to do a record.

  • http://www.tyrehead.ch Dood

    I was born.. and knew it!

  • http://reverbnation.com/glasselevator Wylie VanWenger

    I’d been infused with music since I was a toddler. My mom was a semi-professional french horn player and concert pianist. I started learning to play the piano and music theory when I was three. But the problem with that is when you’re a kid you just want to do what you want to do and things like practicing the piano are work. I was in band class in grade school, junior high, and high school. I played the trumpet. It was an easy A.

    The first time I took it seriously and made up my mind was the first time I smoked pot. I’d never really heard music before then. It was always just there. But getting high in a secret spot in my shitty Buick Skyhawk and listening to Metallica with my hesher buddy Mike Carberry opened my eyes. Suddenly I heard the sounds and I understood it. My parents had a computer with an early midi program called “Ballade” on it. I started recording my own music with a virtual 16-track mixer and a bunch of Casio presets. I joined a metal band with that same friend called SubZero.

    But it wasn’t until I was nineteen and living in Los Angeles that I really made up my mind about it. I was homesick and on the phone with an old girlfriend. We were talking about our dreams and our future. She told me that she wanted to be an accountant. I got furious. “That’s it?” I yelled over the phone. “You can do whatever you want and you want to be an accountant?”

    Fuck that, I thought to myself as I hung up on her. I want to be a fucking rock star and I’m gonna do it or die trying. I’m not a rock star, but I’m still doing exactly what I want with my time every day. A lot of people seem to forget just how important that is.

  • http://www.tonyandtheessentialband.com Tony B. Dickerson

    With me, it was when I was 5 and because we were living with my grandmother who was very instrumental in our church, which happened to be right next door, it seemed as if something musically was always in effect both there and at her home. My grandmother was very jubilant and I’m sure I took on that characteristic. I was fascinated by all singing/music/instruments. She would make drum sets out of ice cream buckets and aluminum pans. She would also make guitars from shoe boxes and rubber bands and we would play and enjoy them as if it was the real thing. It was evident then and clear to me that I was going to have a strong relationship with music let alone when I started singing in choir at church/school and wherever it was going on, I wanted to be there. We all were sure of it when my grandmother would take me from church to church to sing and play the piano singing “If It Had Not Been” (for the Lord on my side). This took things to another level. My father was in the U.S. Navy, so we had to do a lot of traveling, which gave me experience of different cultures, therefore affording diversity in music! By the time I was twelve (12), I was teaching voice parts & playing piano for choir in school & church, I was even getting compensated for my services! I started playing professionally at 17, taught myself to read music, and later went to college as a music major. I currently serve as minister of music, I’m a songwriter, composer, producer, piano/music teacher and I have a band, Tony & The Essential Band, (www.tonyandtheessentialband.com)! I’ve always given my all and still today I offer my best with every fiber of my being while communicating “Universal Language”, (Music)

    Always Essential
    Tony B. Dickerson

  • http://UTube/SuzieGrey S;uzie Grey

    I was born to it. Both parents were musicians, had a dance
    orchestra when I was born. Dad (violin) was leader, rehearsals
    at our house. I was, no doubt, hearing their music even before I
    was borrn. Mother pplayed piano. Both parents sang, dancd,
    lived music.
    Mother told me my first performance was at two years old,
    when my father stood me up on a chair and had me sing with
    the orchestra. (Lodge dance) She said by then I had learned all their songs, Mom told me I
    sang before I talked (and started talking early) and before
    that was writing my own songs.

    We moved to new neighborhood when I was six — no playmates
    even close to my own age. My father gave me the mandolin
    an older sister had given him as a boy, tuned it ukelele style
    and said (essentially) “Here, kid, have at it.” In those days the
    popular music had ukelele chords above the chord changes.
    I promptly developed that.

    Dad had a friend with a music store and would being home
    instruments like zither, valve trombone, saxophone (which
    needed repadding) and other such instruments. He would
    repair them and turn them over to my skster and me to teach
    outselves to play. I played zither, saxophone, pianokkukelele

    My sister and I had piano lessons, she on 1st plani and me
    on 2nd piano. I continued to sing. Music was big in those days,
    with local, district and state contests. Through school years
    I sang in glee club, a capella choir (the elite group), solo, duo.
    trio, quartet, etc. all the way through school, plus community
    and church choirs, solos, plays, high school operas — wherever
    there was music.

    In junior High I formed a duo with another girl and wrote our
    arrangements. I had a duo with a boy, singing and dancing
    Irish jigs for school performance.

    In highschool I expanded the vocal duo to a trio, wrote close
    haarmony arrangements and sang on the three radio stations
    in the city (Midwest). We backed a national singer on one
    station. The high school vocal teacher had me go to her
    after school for vocal lessons, and she would take me to hear
    famous singers who came to town.

    Eventually, I went to the Dean of Voice at a local university,
    a well-known singer herself, who determined I didn’t need
    lessons, so she worked with me on repertoire.

    By that time I was soloing at the various radio stations and
    entertainment venues aaround town, with my older sister
    accompanying me on piano. When she married and moved
    away, I developed a piano method for accompanying myself
    on piano. I never thought I coulfd play melody, she didn’t think
    she could sing.

    I married at 25, became an army wife, continued to sing and
    play and write and arrange, although not professionally. Along
    the way, worked ih three office careers (25 plus years’ worth),
    went back to performing at 62.

    Issued my first CD for my 85th birthday (see UTube/Suzie Grey,
    Issued a single CD and played a mini-concert for a world’wide
    video. Still writing songs. I will be 95 in June

    I still live music. And my three adult children all have the
    talent. Only one is a professional musician. The other
    two simply enjoy the benefits.

    Th;is is a partial glimpse at my life as a musician.

    Suzie Grey

  • http://www.johnandailsa.co.uk John Booth

    My “Road to Damascus” moment was when I first heard John Lennon’s shredded vocals blast through Twist And Shout on the BBC’s Light Programme radio station in early 1963. I was 9. Five years later my best mate got a cheap guitar and I found I could play chords. The rest is (a very small part of) history.

  • http://www.cathrynstone.co.uk Cathryn Stone

    We were having a hard time at home and I was having a harder time at school and a friend of mine played me a tape of John Martyn singing “Just Now” and I fell in love with it. I asked for a guitar for Christmas and mum and dad got me this old cheap nylon string which I just loved and was hooked. Even before I had a guitar I used to get things out of me by sitting in my bedroom writing songs, using funny codes to write them down and remember them. Music was and still is my heart and soul and my saviour through so many difficult times. Cheesy but true :) Unfortunately at times the quest for commercial success has dampened my enthusiasm for being a musician professionally, but in my heart it is what I will always be and it is what I will always need to do.

  • http://parisianliving.com Mike from Parisian Living

    You just know. You always know.
    I knew I wanted to play music as a child, picking out one fingered tunes on Mum’s piano. I began to figure out what was happening in pop songs, what guitars, drums and keyboards did. I couldn’t get on with a six- string though.
    My younger brother Alan learned the drums at school in S. Korea (which got him a guest spot at the American Army base jazz club).
    When he returned to Blighty we determined to form a band. I’ll play bass, said I.
    My Dad bought me a Japanese Epiphone short- scale and I picked out the melody to Bob Seeger’s “Still The Same”. I can do this, I thought.
    I was 21. Better late than never.
    Thirty two years later I write lyrics and music, with the help of my immensely gifted friends. I still keep it simple.
    Now PARISIAN LIVING are firmly out there on the web. Merci beaucoup CD Baby!

  • http://www.joelkalsi.com Joel Kalsi

    Summer 1986 and Ruisrock. I was at age of 6 and already on my 3rd year in a row at that festival, thanks to my open minded parents who took me to see my idols. The biggest band in Finland in -86 was Dingo and I was a big-small-fan. I told my mother I want to be a singer — but first I need to play drums so I can afford the earrings (greets to all the glam rockers out there).

    Spring 1996 I was on my first year in senior high (or is it college) and I had just formed my band. The past years had been depressive and I was kind of searching the meaning of life, I didn’t know what I want to do when I grow up.. I was 16 back then and I still don’t know what else I would do when I some day grow up. But music did it for me, I went so deep in to it that it was maybe year or two later when I noticed I hadn’t been feeling down for a long time and always the creative stuff made me feel great.

    Spring 2011 .. I’ve been working at a plastic factory for almost 3 years and it’s been ruff doing so little music or anything creative. Used to do 5 years music only before getting in to the current job. But just lately I helped out one of Sweden’s all time most sold, a multimillion recording female artists with two of her up-coming songs, and she tells me “it’s great to work with professionals who do the job fast and always know what the artists want”. This hit me. I didn’t think of myself as a professional, and then one of my teen-hood idols comes telling me this.

    I’m looking forwards to go back deeper in to music now that I’ve settled my equipment financially where I want it to be.

  • http://www.constantinekyle.com Constantine Kyle

    I was always a big fan of music but I didn’t crae much for how or why I listened to it when I was younger. It wasn’t until my mam entered me into a talent contest when I was younger. I can’t even remember what song I sang, but at the time I was small and could not play a song, I was just tapping my foot along with the song and watching people look at me. Anyways I actually won and the feeling has still never left my thoughts. My friends were chanting my name and that alone was enough to make me feel amazing but the best part was the fact that my mam was so proud of me. Since then I have pretty much knew that music is a huge part of my life and I want to always be involved in it.

  • http://N.SB/NEWSENSATIONBAHAMAS Derrick Knowles

    It all started out on a remote family Island in the Bahamas called Exuma.My cousins and i started building amplifiers from old radio parts as replacement for real instruments.Our father/uncle took note of this discovery and loan us some money to purchase real instruments.At that time we would play for who ever wanted to hear for a glass of lemonade and food.It was not until a local farmer working in his farm heard us practicing and decided to hire us for money.Twenty Eight years later the rest is history.

  • http://www.p-dek.blogspot.com Killah P-Deck

    Music comes from the words we speak and how do we understand words,words,love words,good words or bad words!so how do we understands words,false words or true words,this words comes to the heart to form music to express the self so i also started singing from what i see and how i feel and to express myself up to date.
    At the early age i wanted to have different words unheard for my music so i started reading Bibles and Quran until i found out that it’s God Who is responsible for all this things by reading of the Quran and following the words in it.This made me keep myself away isolated and a cloud came to in a night,i was afraid then went back.When i read the Quran,the clouds comes circling around and up to date the clouds come and go everyday depending on how i read the Quran much or less so i still give thanks with the same words!!!

  • http://www.kiddushclub.8k.com RABBI GARY ZWEIG

    When I was 6 years old my Dad bought a big PIANO for my brother and I .
    We took piano lessons for a bit! But on Feb.9,1964 we were all glued in front
    of the TV to see this new band EVERYone was talking about..THE BEATLES..
    Since that day my Dad sold the piano ,we took guitar lessons and bought
    a HARMONY semi acoustic guitar! I still use it till today..
    I was in a band in High School.When I got to ISRAEL I took rock songs
    and changed the words..And when Paul McCartney finally performed in ISRAEL
    in 2008 , I was at the show!

  • Kostadin Aleksandrov

    I think my idea of it was when I started listening to Gorillaz at one point. Just when Demon Days came out. But I wasn’t really sure of it, so I rumbled around House music and such and felt compelled to try and make some. Garageband (Yeah I know…) opened the flood gates for me while I was bored.
    Then came Ableton and all is well now. :)

  • Michael KaneJuice Marsh

    I was always singing but never thought I was a singer, in fact, i was gearing up to become a comedian.
    It was my third year in high school and my friends were encouraging me to be at a concert that was to happen
    at our school. Over and over they reminded me as to make sure i attend this concert. my friends made special
    effort they even called my house to say make sure you be there. That day when i went to the concert, everyone
    was having a good time, Reggae Band Jamming real tight to the different performances they had rehearsed.
    By this time my friends and i were rocking to the heart beat of the reggae band when all of a sudden, my name
    was being called by the mc for a performance. I had no prior knowledge that i would have to perform as i had
    never performed on a stage before, I was very hesitant. I really did not want to go on stage especially with no
    rehearsal but my friends and everyone was shouting my name as if it was a plot of surprise or something, so i
    put on my brave face,and entered the stage. You could not believe the response i received from the audience as
    I sang Little Green Apples the Dennis Brown version.
    I became an instant star and from that point on I knew I was a singer.

  • http://www.patternbreak.co.uk Sam Green

    Great talking point!
    For me it was watching Jimi Hendrix live @ Woodstock when I was 13 (thanks Dad : )
    Looking back, I guess alot of people saw that show and wanted to play guitar like Jimi, but I remember I was transfixed by the drummer Mitch Mitchell!
    A borrowed drum kit from some family friends and immediately I was hooked, starting a lifelong obsession with playing the drums.
    That was the big moment for me. Since then I’ve been inspired to teach, write songs and then last year produce my first album Decoding the Illusion under the name Pattern Break (can be heard at http://www.patternbreak.bandcamp.com).
    Where will the path go next? I guess that’s what we’re all asking but now that fire has been started, we know that we can’t give up music! Believe me I’ve tried but I keep coming back!
    Great fun reading everyone else’s stories.
    All the best,
    Sam

  • http://www.okhamsrazor.com Roy Schroedl

    My dad took me to our small-town barber shop. The Life magazine I picked up was probably the first magazine I’d ever looked at. The Beatles were featured and I said out loud “I’m gonna be a Beatle.” Everyone in the place laughed and passed them off as a Fad. I’ve never had the stardom or made the big money, but my fire is still burning. It makes me whole.

  • http://www.myspace.com/iammusicent O The Architect

    When I was in the 9th grade me and a friend were walking a girl we knew about 2-3 miles distance to her aunts work. She had a Cassette Walkman (so you can tell this was some time ago) and she passed me the headphones. When I put on the headphones Bone Thugs and Harmony’s song “For The Love of Money” was playing. At that moment I was so amazed that it was like “This is what I want to do”, she didn’t get the headphones back for the rest of the 40 minutes or so that we walked.

  • http://www.cdbaby.com/cd/davidwoods2 David Woods

    My dad was a musician. Even had his own radio show in Miami when I was born 60 years ago. He taught me a few guitar chords and that was it, I was hooked! Then along came The Beatles, then the hobby became an obsession! I wrote my 1st song at age 17. All these years later, I’m still at it, writing and playing. Still having fun!

  • http://thenewoceans.yolasite.com/ David Downs

    Although I am not a rapper it was originally rap music that made me want to re a musician. The first tape I ever bought was Run DMC Raising Hell. I bought two crusty record players and two tape decks and a mixing board from Radio Shack so I could make music like Jam Master Jay. In the 90′S however, grunge took my music interests in a whole new direction. My metal-head friend, Scott convinced me to buy a ban guitar. That was the first real instrument I ever tried to play. Then something else happened that changed my life and music forever! I bought the Downward Spiral from Nine Inch Nails and would sit between the speakers and listen to the sounds being thrown from left to right. There were heavy guitars, drum machines, and all these weird sounds and atmospheres! That’s what finally did if for me. Add a few years of depression and awkwardness and you get the whole picture.

  • http://www.myspace.com/digitalbybirth Herbert Long

    For me it was hearing Atari Teenage Riot for the first time on cd. Up to then I’d always loved music and all kinds of music but didn’t believe I had any musical talent myself but that album was so raw and basic but aslo so bvital, fresh and punk that I realised I could do it! I also at the time shared the same political ” destroy everything start again ” attitude – It’s evolved some since then – BUT at the time it was extactly what i wanted to hear!! Also the production method was so lowtech and low fi and I realised with a few bits of hardwar I could do the same thing – they just use an obsolete Atari – with my Playstation. So I got a portable digital mixing desk and the rest is history, now I program, rap, sing – badly – an play guitar!!

  • http://www.ryansheeler.com Ryan

    Several instances:

    1. As a guitarist….when I heard Johnny B Goode, and when I heard Dreams by Van Halen

    2. As a songwriter…when I heard Leader of the Band by Dan Fogelberg

  • http://www.yeshuasongs.com Philip Klein

    My mom taught piano and my dad was a singer/dancer. At five years old, my mom took me to a Dorothy White children’s concert at the Brooklyn Academy of Music.
    Dorothy was doing “Peter and the Wolf” and used kids from the audience to form a rhythm band to go along with her story. During the performance, as Dorothy played piano and sang the story, my mom asked me if I would be interested in learning how to play piano. I said “yes” and she began giving me lessons. She found a good piano teacher(her methods weren’t working)and I took lessons for about 12 years. During that time, I progressed pretty well and played recitals and then many concerts in my area. I also started writing songs around the age of 16. A couple of my songs were pitched to some major singers but I found that honing the songwriting skill was a process.
    When I was eighteen, I shifted from classical to jazz and, while in college during the day, I put together a small band and did night gigs in various clubs in my area….
    I started traveling after college and toured with a number of show bands. I wound up in Nashville and made a connection with a major label and began writing songs for the company. I linked up with a major recording star and toured with him for a while, would up in Atlanta and settled down there.
    I had a spiritual experience and accepted Jesus as my Lord and Savior and that’s when musical things started to happen. I attended my congregation for 23 years and, during that time, I had the opportunity to record 4 CDs of my own music and start a music ministry called Aliyah Music Ministries. The ministry took me to manys places of worship and gave me the opportunity to minister to many people in need. I just released a new CD called “NewHeart” which is available on many online stores.

  • http://roamingroyalty.com/ todd

    For me it was my 7th grade talent show. The show that year was a variety of lip sync, dancing, poetry reading and some other stuff that was just silly. Me and 2 other guys had put together a band to play a couple of Supertramp songs. Although we were the only act playing actual LIVE music, there was an audible groan from the audience as we walked on the stage. It probably had to do with the fact that we were that last act and the show had already been quite long, it was also a statement of our collective popularity, or lack thereof. We played our first song and at the end the whole crowd sprung to their feet and went quite nuts, they were screaming and chanting our name. We were so overwhelmed we forgot to play our second song. I knew right then and there I wanted to do this for the rest of my life, and fortunately I have.

  • http://www.jerrylbunlimited.com Jerryl

    As a child, I used to sit in front of the stereo and listen to Ray Charles and pretend I was playing the piano. My mom gave me an organ keyboard my first year in high school. I also used to watch this cat in my class in H.S. play guitar and I wanted to play just like him. In junior high, I played tenor sax. I guess I’ve been a musician all my life to this day. Music has taught me to be a leader, a producer, and a multi-instrumentalist.

  • http://www.youtube.com/fuzzysoultiger FuzzySoulTiger

    For me, the big moment definetly was when music videos in the 80′s started
    Michael Jackson “Thriller”, Duran Duran “Wild Boys”, Pat Benetar “Love Is A Battlefield”, Twisted Sister “We’re Not Gonna Take It Anymore”, Men At Work “It’s A Mistake”, Marvin Gaye “Sexual Healing”, really captured my fullest attention.

    For me, as a teenager back then, it meant that I heard songs debut on the radio and had one opinion of it UNTIL the music video for it premiered that would completely elevate my opinions about it. This was so important to me because, up until then, I only wanted to be a cartoonist and/or writer but the power of music and video unquestionably had me understand that I definetly wanted to become an artist.

    For me, watching music videos on MTV and Friday Night Videos (that used to air on NBC) was a huge influence on me wanting to be an artist because I realize this was a way for me to maximize all my talents to have my own identity as an artist. In the last few years I’ve really begun producing my own songs, making videos for them and uploading my vision on youtube. “Man On A Mission” will be my first album coming out this Spring so come enjoy my videos on youtube.. I am on there as FuzzySoulTiger.

    Come checkout my videos and original songs on youtube…i’m on there as FuzzySoulTiger http://www.youtube.com/FuzzySoulTiger

  • http://www.fanoe.ch FANOE

    we were playing with bands like Deftones, Sisters Of Mercy, Young Gods, Dir En Grey and many more. And we did it all ourselves….

    check out this video to find out how it all happend….

    http://www.youtube.com/watch?v=GpjHuaYZWUA

  • http://pathoflightrecords.com Mamaniji Azanyah

    I was mostly into soccer and track as a child in England – though admittedly I read a whole lot of books too – and then a good friend of mine, who was also athletic, invited me over to his house and started showing me stuff he could do on the piano – his Mom made him take piano lessons. It changed my perspective on piano as being a kind of “girly” thing and I was hooked. Though it wasn’t until a couple years later after my family had moved to the US and my older brother (a guitarist/singer-songwriter) needed a bass player for the group he was putting together, that I discovered I really loved playing music. I’ve been playing, writing, arranging, producing, etc. ever since.

  • http://www.ericroberts.org Eric Roberts

    It all started when my sister and I each received Stella guitars as presents. I began lessons in earnest, along with my sister, who didn’t quite take to it like I did.

    I started with the Mel Bay Guitar Method and made it through all of the books, then got into jazz, listening to Wes Montgomery, Chuck Wayne, Joe Pass, George Benson and many other guitar players. I was very fortunate to have two very good guitar teachers, too!

    While attending a music camp, my guitar instructor introduced me to brazilian music, and from then on I was hooked, and have made my main genre of music brazilian as well as smooth jazz.

    I became a classical guitar major in college and developed my fingerstyle approach and have used it ever since.

  • http://www.torglenn tor glenn

    February, 1964, Beatles on Ed Sullivan — the day that changed EVERTHING!

  • Anthony Holloway

    I can’t help but wonder if it’s in my genes. My father was a violinist, and as the story goes, he got a rare scholarship to go to Europe to study electronic music. I’m not sure what that means exactly or how much of it is accurate because I never met him or heard his music. I guess he also had some compositions of his own. My mother was quite a good pianist, though she did not perform. Too bad because she was talented and very pretty.
    The defining moment for me was when I saw a stick drawing of a sax on a flier my fifth grade teacher passed out. She asked who wanted to play in the band, and I wanted to be that cool cat I saw on TV playing the sax.
    My brother was taking violin lessons and I talked my Grandmother into stepping up for an alto sax. I was off to the races. I used to compete with my brother for volume when practicing, and man did that torment my poor Grandmother. Can you imagine a violin and a sax playing different songs poorly by two brothers competing for volume? That came to an abrupt halt.
    My first exposure to the Beatles was the Abby Road album, and man was that sound magical to me. I was hooked on Rock and Roll from boyhood. I loved to listen to hits on the radio, the Beach Boys, Simon and Garfunkel, Stones, and so on.
    We had a piano in the house when I was a young teen and the first song I learned was the Pink Panther. I still love that song. I was rather introverted as a teenager, so I spent a lot of time alone playing a crappy old guitar of my mother’s. After a few years’ hiatus from playing sax, I realized that was one of my few talents to date and started playing with others. I had to force myself to play in front of others in order to overcome my fear of performing. I got into bands, played parties, shows, and did a lot of open mic’s. It became easier after some kudos. But those old demons never fully disappeared. Sorry I digressed, you only asked for the beginning, not a life story. Woops.

  • Prime Primus

    it started at age 13 when i did my 1st song for a high school parade, and for a 1st timer it was really good. So for someone who had no exposure to music I knew it had to be only one thing, a talent to write lyrics, so i took advantage of the situation and started making music, I moved slowly but I’m still going.

  • http://cdbaby.com/lefkovits Dorothy Lefkovits

    I was eight years old that summer and found yet another piano in yet another apartment in another building we moved to. It was usually too hot and humid to go outside during the day so I amused myself by trying to pick out a tune on the piano. I easily learned to play (with the right hand) The Five O’Clock Whistle. Then I learned to play a little boogie woogie, listening closely to the records I heard being played in record shops nearby. Finally, at 9 years old, a few pennies were found to let me take piano lessons. I memorized some popular tunes and kept on trying to sing and play until I was fifteen and got the courage to audition for the amateur hour at the Apollo Theatre on 125th Street in Harlem.

    I hid behind the piano from the tough audience and sang at Amateur Hour, between 11PM and midnight, every summer when I got a chance, until I was about 20 years old. Eventually i wrote a few tunes and at last, in 2002, I recorded those with some new tunes. Back in 1989 I found a coach who gave me enough confidence to stand up and sing, with someone else playing the piano (sometimes with other instruments). After the Open Mic cirucit I got several gigs with my coach and other musicians. My album, IT’s WONDERFUL has two songs that were written in my teens. It’s nice that just one song can be down-loaded for a few cents. Once in a while somebody in my audience buys a cd.

  • http://www.declassifiedrecords.com Jon Pomplin

    I knew I wanted to be a musician, and specifically a bassist in ’77 when, after being introduced to the band by my cousins, I saw RUSH play on Don Kirshner’s Rock Concert. A year later was studying and playing bass and within a couple years of that earning a decent living. Like most musicians, I had a “day job” (in IT engineering), but continued doing sessions and releasing CD’s which led to endorsements (GHS, Rocktron, Morley, HotWire Bass, EBTech) as a musician and a PT job with the indie label I was signed too/doing session work for. I finally got tired of the stress and lack of fulfillment from the corporate world, and started my own label. Now I have had the privilege to meet, work with and produce some of the artists that I admired as an upcoming session player (not RUSH – yet). I find myself running a record label and production company, struggling to pay bills, dealing with the “biz”, and even more stress. I never have been happier with my “work” because I’m doing what I love.

  • http://TinGletheSinger.com TinGle The Singer

    I had two passions….to design clothes and make music. I was told as a child that music was a dream…so I went to design school. Then went to the Vertical Leap Christian Bus. Seminar who’s mentor, Al Hllingsworth said,”If what you are now doing for pay, you would not do for free, then that is NOT your purpose”. I realized I could do both well…but I would not design for free…but I’d often done free shows. So I STOPPED doing the other and continued in my music…cut my expenses in halpf…I am NOW happy…and still doing it…and YES..you CAN make a living in music…especially if you move to where you are needed most. God gives the vision and the PROvisions.

  • http://www.RavenworksProductions.com Erick Raven

    The first time music got ahold of me was when I was 7 years old and watching “Back to the Future” and I saw Micheal J. Fox play “Johnny B. Goode”. I was transfixed and then proceeded to ask my dad if I could learn more about rock and roll. He brought home a “History of Rock and Roll” videotape from the library and I saw Elvis Presley’s version of “Hound Dog” on the Milton Berle Show. From that point forward I’ve wanted to be a singer. I played violin in elementary school, but didn’t start playing the guitar until college. I started singing a few years after that. Now I’m just trying to live my dream….

  • Ola Jean Andrews

    At the age of 8 I use to stand nearby the piano and watch my uncle who was a nightclub musician (back in the day it was nightclub). When he left I would go to the piano and try to play what I heard him play.

    When I went to live with my great-grandmother I listened to the radio and learned to play what I heard. As a result I became an accomplished pianist and was asked to play every week at the school assembly.

    Once my family moved from Arkansas to Oakland, California I continued hone my gift. At the age of 14 I became a Christian, my parents wanted me to take piano lessons, which I did, but by then I had trained myself to play by ear. This got me in trouble with my piano teacher because other people who also took piano lessons from him, accused him of not teaching them like he was teaching me, so he asked me if I played by ear and I said yes, he said that’s what my other students are talking about. At that point he asked me not to use my ear and to practice my note music.

    Of course I did not comply with his request because it was more fun playing by ear. But it was my loss because today I do not play classical music as I should because I did not practice as instructed. However, I don’t regret not giving up playing by ear. Because I have a number of “best pianist” trophies in my living room.

    I was born to play and I will always play and my prayer always to God is please to direct me so that I don’t do anything foolish to not be able to play the piano. Even at the age of 81 I have musicians of today asking me to teach them to play the way I play. I love it!!!!

    I am grateful to God for the longevity, it is definately a gift from God.

  • opie brockett

    I saw my first live band play back in 1982. Sadie Hawkins dance for freshmen and softmores at dover-eyota High School in Eyota Minnesota. Their name was Fallout, and they only ever released 1 record and sold only 500 copies. Pretty much totally broke up at the end of 1982. But they were here at our school playing. I do not remember this band very well as i spent most of the time getting up the nerve to ask crystal cutshall to dance. I kinda had a thing for her back then.

    A couple years later i held a guitar in my hand for the first time in a garage in San Clemente California. the guitar belonged to my friend gary and he had just bought it from jeff. i was no stranger to musical instruments as i had been playing the violin since 4th grade and had dabbled in saxophone and piano and french horn too. For some reason it felt good in my hands. jeff had a deal or something with gary to teach him some stuff and i hung out to watch. it didnt take long for me to understand how to play this thing. That was almost 30 years ago now.

    Over the years i have played with alot of people, my first band didnt even have a name and we played one gig in san clemente. opened up with a old Beatles song and did some led zeppelin and a few others and ended the night with house of the rising sun as the police pulled into the driveway. After moving to Iowa in 1985 i think, i met up with a few young kids playing in a punk alternative band called Mad for Cheese. Toted gear up and down steps for them and video taped shows and they are still some of the best friends i still have. Eventually they all went separate ways too. Played with Firewood Revival a time or two but not often enough to be a real band member. In 1989 i formed a band called Good on Toast and started having practices in our singers basement. I booked a gig at a local coffee shop and awaited opening night. No one showed up, oh there were customers there waiting but my band didnt show up. i was the only guy that was there. Well i did an accoustic set of some songs i knew, took a few requests that got lucky and could fake. I made $28 bucks in tips that night. i never went back to that guys house again and pretty much buried Good on Toast.

    Years later i hooked up with Kurt and started sitting in and playing with him and his guys when i could. Ron Conklin is one of the most talented players i have ever met. I learn to play better just watching him play. he makes it look so easy. I’ve been there with kurt when he has opened for some top named country acts such as Jason Aldean and Kevin Sharp. I also met another guitar player named Brian Lowe who has not only become one of the best guitar players i have ever known, but also became my friend. Brian is sponsored by some of the best musical equipment people today. And if you ever watch him play, you would see why they are happy to be with Brian.

    I miss walking on stage and making people dance, I miss the groupies that appear out of nowhere and flash you just because your providing them with music to dance too. i dont miss the nedless hours of carrying gear and setting up and tearing down, the long nights getting home at dawn, and the endless club owners and people trying to screw you out of every cent you earned. But would i give up the memories ?, No. Would i ever put my guitar away and never play again ? , No. Whenever i see a band play i think that i would love to get up on stage again and do that song better then they did. Maybe someday i can get some guys together and just have fun playing. if we make money or not i would not care. because i would once again be back in the spot light.

  • http://www.facebook.com/AlunaFanclub ALuna (A.T)

    My life appeared to be fulfilling: I earned a bachelor’s degree in Business
    from a university in Australia and worked at my family’s business, the
    Thavonsouk Resort. Still, I was longing for the next adventure in my life.
    Many questions arose. After the degree and work, did I really need a master’s
    degree? Many of my other friends were pursuing advanced degrees at
    that time. What was next for me? I only knew that I yearned for something
    new to make me happier. In 2002, I decided to “look for myself” (I heard
    this term from movies, but never fully understood it). I took three months
    off from work during the low season at the resort to travel to Europe. That
    trip changed my life forever.
    During the early morning of June 21, 2002, I took a bus to visit some museums
    in Paris, France and suddenly noticed there was a special event. I
    heard music along the road, and I saw people spontaneously come out and
    play music. They sang about everything using their guitars, saxophones,
    trumpets, harmonicas, and accordions. They were everywhere—on roadsides,
    in the Metro, and on almost every corner I walked past. I was so
    happy to be in this amazing environment. I felt like I was brought back to
    something familiar, but also something that I was missing for some time. It
    was great to hear music again.

  • http://breakingtunes.com/chocolatelovefactory Rory

    Nirvana. Full stop.

  • http://www.reverbnation.com/corporateangel Douglas Steven Luna

    My story…

    By 8 years old I’d already developed a relationship with music; I quickly became entangled with popular music and soon thereafter …Mary Jane.

    Music for me was like having an affair… I was passionate about every nuance and expression – I just had to find its reason for being. Yeah, I’m a bit crazy yet aren’t most musicians?

    By 1980, I was literally breathless and amazed when I started playing the guitar effectively (I’m not kidding, I actually had to remind myself to breathe; an occasional problem). *yet I was very distracted as I loved long distance running and 8 hour days playing basketball (the weekends).

    2/1985, as a sort of joke I was dared to play a solo for an original studio recorded song without a solo guitar on it – the guitarist had apparently quit *this was an already established popular band. I was given the tape at my friends bar, her brother was the singer in this band. She said, “I could do it!!” yet I was considered a clean cut studious jock/melodic hard rocker type (Bryan Adams comes to mind); no one was ready for what I had to offer (myself included). I took this very seriously that night, went straight home and dubbed the solo into the song using a double cassette player and a mic. I returned to the bar in just over 45 minutes… gave the tape back and said, “You’re right I’m no match for a band such as yours!!” lol!! (*This very recording/song is on my web-page called “Over The Wall”).

    *Thank god there were a lot of people around that night to include a recently signed Roadrunner Records Artist (“Realm”- from Milwaukee) was in the club. The brother saw them and immediately played his demo; lol – he wasn’t ready for what I had done. *Even more funny was he went into great detail stating to all that the solo was missing.

    After it was played all in the bar cheered loudly …they loved the song and especially wanted to know who the guitar soloist was. LMAO – my defining moment!! This is the first time I knew I had to channel all my energies into music (I was christened soon thereafter “The Consummate Professional” – because of my intentness regarding music) – A run of cover bands ensued… all with the same singer.

    Then in late 1992, I desired to demonstrate my writing skills (lyrics/music). All songs 1987–1992 were written for anyone who wanted to sing and then play them. Sadly, there were to be no real takers except one female drummer [ listen to “Ball N’ Chain” live; solo dubbed] – to this day she wishes to remain anonymous. * It’s been me, myself and I mostly ever since… I think I was and am too impassioned for other musicians. There were always a few musicians yet no one stuck around too long. ** Sadly, I never did play anything live from my first Cd “Spell You’re Under”.

    Then in 1998, taking two years of looking and working with mostly inexperienced but hard working musicians; we took a chance on each other… a complete band formed. My new Cd “LUNA” (my 100% input even photos, production and engineering) was accepted very quickly – 25 shows, radio interviews and some decent exposure. We also played two dates at Milwaukee’s very own “Summerfest” 6/99 – the world’s biggest music festival. * I was pretty much without a band right away after these two dates. I won’t bore you with all the details yet it was mainly contract/money issues.

    After this I took a 4 year hiatus …I’ve never had a complete band ever since. I’ve written plenty since yet no one seems to want to play originals as pay is minimal so I’ve been using backing tracks *Since my first recording until now I’ve learned all but the drums to include singing …to get the sounds out of my head and into the air …to include recording (rough/raw/home mixes I call them).

    Thanx for your time,

    DSL

  • http://www.myspace.com/jillledet Jill Ledet

    Well, with me, I remember being 7, and I told my brother when we visited my grandmother in Brooklyn that I wanted to learn how to play piano, well, actually it was violin, but then I changed my mind to piano. I saw the musicians playing on the boardwalk. When I performed my first recital, I really felt good, like I had something here. Then I gave it up in high school, and my life got all sidetracked, for a long time, and I had forgotten about my dream of learning to play and improvise. I would say what really really made an imprint in me, was when my horse stopped at the piano section of a country song, and sat there. After all the fighting, and all the trying to be something else, this is what I was reminded of, back to the memory of what was left behind. I had always played a little throughout the years, but finally it has really dawned on me, that I’m a musician and an artist.
    I’m still good at my other stuff, and my occupation of my counseling, and my psychic readings, but it is my music, that I finally did something with it, it gets better all the time.

  • http://www.facebook.com/mongrelofficial Adam Savage (guitarist, MONGREL)

    For me it was watching the videos for Guns N’ Roses “Welcome to the Jungle” and “Sweet Child o’ Mine” when they came out. Just watching Slash play and thinking – I NEED to do that!

  • http://coreykoehlermusic.com Corey Koehler

    I think i was like 12 years old or so. I was playing air guitar and air “performing” the tune “Panama” by Van Halen. I think that was the day I new I needed to do this. Unfortunately I forgot about it in my twenties though – but I’m back! Good post.

  • http://www.danmcb.com Daniel McBrearty

    It was kind of gradual. I played some clarinet at school, and someone gave me an old Benny Goodman record. Then I found some Count Basie in my dad’s record collection. 1970s, in remote Wales – they were like voices from outer space. I was just so fascinated that music could *sound* like that.

    I played a lot, copying off records but everyone told me that music, especially jazz, was no career. I learnt guitar, got into a lot of other music, started writing songs …. it was not until I was nearly 30, in a very dark time, that I realised it was what I really should be doing.

    In the end, it haunts you if you don’t do it …

  • http://myspace.com/eternithouserecords Idamo Ida Moberg

    I come from a small village. When I was seven I got the opportunity to take part of a children musical through the church. Since then all I ever heard from people is that should sing. I decided to never let them down and sometimes I still remember the fire inside standing into the music. Knowing that the music is the only present thought at the moment that passes by. It has become a way for me to communicate now days. The only clear channel to expand my mind. Hoping to get through one day to the other humans. /Idamo

  • http://www.TheresaBehenna.com Theresa Behenna

    It was December of 1975 in Sydney Australia and I had just been laid off my secretarial job in a television production company. The country was in a recession much like we are here in America. I was devastated and really really scared. How was I going to pay the rent? I picked up the phone to call my parents 1,000 miles away in my home town but halfway through dialing I stopped and thought: “If I do this they’ll tell me to come home and I’ll be right back to square one”. I had big dreams to work on a stage, date George Clooney and travel the world. There was only one small glitch – I didn’t have a clue how to make that happen.

    I hung up the phone.

    I’d been given two weeks’ notice and during that time one of the talent agents called that supplied actors for our game shows. Lyle was in a tizz that day because he had to find a piano player for one of his biggest clients in Sydney and everyone was booked because it was Christmas time. He asked if I knew anyone and without hesitation I said “I can do that!” Without thinking he said “OK!” I kinda sorta forgot to tell him that although I’d been playing piano since I was five, I’d never played in public before. I also kinda sorta forgot to tell him I only knew 50 songs and most of them were Beatles.

    The gig was for two weeks in a piano bar in Sydney’s top hotel, six nights/week, four hours/night. Fifty songs. Do the math.

    I bluffed my way through the job by making everyone laugh and turning all their requests into Beatles songs. At the end of the two weeks the agent called and said what a great job I had done because everyone loved me. He then handed me a great big check. I remember thinking “Wow! You mean you can do what you love to do and get PAID? What a concept!”

    That’s when I made the commitment to be a professional musician and be the best I could be.

    Fast forward thirty one years and here I am living in Houston, Texas having performed around the world in thirteen countries as a piano entertainer (that gets paid NOT to sing). In 2006 Coca Cola hired me to play at the Winter Olympics in Torino, Italy that was the highlight of my career.

    Nowadays I incorporate the piano in my keynote speeches as a motivational speaker at conferences and meetings around the country. I use the same principles it took for me to master the piano to help people become leaders in their field through extraordinary performance.

    I’ve seen music uplift and move people of all cultures, religions, ages and social status. It is truly a universal language and grossly underestimated in its power to heal.

    Thanks to CD Baby for helping spread the joy of music.

  • BiG ShoTT

    My music life started when i was a kid, my mom has always been a huge fan of music, so i grew up listening to oldie goldies, by the likes of al green, shirley brown, betty wright. I was always drawn to music, it determined my emotions, music has the ability to make you happy, sad, and think. I began to write poetry when i was about 9 or 10, or just stories, and i was able to draw at an early age as well.

    My life led me to the art institute of atlanta, to major in graphic design, after recieving my degree, i moved back home, and due to the economy there was no way in hell they were about to hire me, so i took several dead end jobs, worked in security, worked in prisons as a food service supervisor, and was just searching, could never find a job that made me happy…

    one morning i just woke up and said fuck it, i quit my job and started my own graphic design business, that put me in contact with many local artist looking to get promotional work done, and album covers, that put me in the vip scene in clubs, and special events that were going on, and because i had a love for music, i felt like i found my calling, until 1 day my cousin who is a local artist asked me, why want you open up your own studio? that made me think, if i can combine the two things i love the most as a career that would be awesome.

    so i started my own indie record label..BLACKBABY ENTERTAINMENT, and because of funds i got my lil cousin who can sing to sing, and i wrote all the music, then i wanted artist they would take my material and use it elsewhere, or not deliver it the way i wanted, so i decided to get on the mic, and i felt my heart kick in as soon as the beat came on, i felt like i could release and be some1 else, and the emotion of being in the booth, and the joy i feel once i hear me, my beat, and my mix,then to create my graphics, there is no better feeling, than to do what you love everyday, music/graphics

    that’s the BiG ShoTT Story…….

  • http://www.reverbnation.com/label/3rdNippleMusic Neal Visher

    hmmm, I’ve realized it hundreds of times, and forgotten just as many – but the 1st time I realized I was totally into it was when I hooked and EQ up backwards to the tape deck and got the feedback loop going.

    I could use the EQ to play sounds… lows, mids and highs. So I spliced the cable and ran it into the out of my drum machine and the EQ sounds wrapped around the beats and I could also play the EQ still.. made for some funky stuff, so I bought a guitar fx unit & a mixer and yeeeehaaawww… I was off… next, guitar, and it’s been my love ever since : )

    Neal Visher

  • http://www.youtube.com/user/Solomondave Dave Tatsak

    I was with a buddy on spring break as a 14 year old in Houston, Tx. My friend brought along his low-end Stratocaster and a Gorilla practice amp. I’d not ever thought about playing the guitar before then but I reckon i was bored and gave it a shot. He showed me a couple of chords and I was on my way to mastering “Rock you Like a Hurricane-Scorpions” and then on to “For Those About to Rock-ACDC”. Yes, those were fairly new songs then.

    When I got back home to Fort Worth, I hassled my mother unmerciful for a guitar and amp. She gave me the ingenious idea of saving up for it. Within 5-6 months, I had a Series 10 Telecaster and a Marshall Lead 12 amp. I know, I went big time on the amp and was glad I did.

    I took lessons for about 4 months from an instructor that wanted to teach me how to read music and expose me to theory. I listened with a blank, thousand yard stare and asked if he could teach me the solo to that new song by Poison. He did, although begrudgingly. He knew what kind of student i was going to be so he resigned to teaching me the riffs that got the chicks. Boy, was that stupid of me. I spent all of my time playing the guitar and ignoring the chicks.

    25 years later and I am a famous rockstar and I am touring the world. Wait……

    I branched out into dance and techno music in the early 90′s and set my guitar down for a few years. I bought a Roland D-20 and created dancey/ technoey music on it for a while but it scarce scratched the itch I had for music. Right after that, I rediscovered Pantera who had totally changed there style from glam to hardcore groove metal. It was love. You Take This Love….Walk…..ok I’m back. That sold me on metal. I couldn’t get enough. a few years ago I bought an RG Series Ibanez 7 string and a Boss GT-10 effects station. Man, I could go low and really bang out the heavy groove metal riffs. about the same time, I bought a Takamine classical and started creating original classical pieces. Not complicated ones but good enough to fool some people all of the time.

    I had to pawn the Ibanez and the Boss recently and I am wigged about it. I satisfy my musical hunger with FL Studio 9 right now and have reverted back to some dancey stuff along with some creepy theme music type genre. The kind of music you would hear in a psycho-thriller movie. Real trippy creepshow music.

    Thats my story and I’m sticking to it.

    Anybody else looking to make a living writing music? Can’t wait til I do.

  • Wayne Dean

    I fell in love with the guitar at about age 10. I didn’t need or want an audience to play in front of back then, but people were always poking their head around the corner to see who was playing, whether it was good or bad. With the guitar, I had discovered a way to express myself….let it out so to speak. Most of my early life I sort of hid behind it, retreating to it often in times of despair and uncertainty.Only later as I got better did it give me the courage to want to stand in front of it proudly. The guitar has always been my closest friend. Music is the one thing I still have a passion for.. that I’m good at, and songwriting has taken on a whole new meaning….

  • http://www.royeaton.net Roy Eaton

    This YOUTUBE link gives a quick 6 minute answer to your question.http://www.youtube.com/watch?v=I3LiZwygNL4
    Roy Eaton

  • http://www.akenra.com Akenra X

    Some years ago I was searching for a way to be in a band. I thought if I learned to play bass guitar I’d be closer to my goal. I discovered a friend of mine played bass and asked if he’d give me lessons, and he agreed. After that first lesson I told him I thought maybe I could sing and if he would, please listen and let me know. Now this friend of mine is one of those brutally honest type of guys and I knew he’d indeed let me know good, bad, or indifferent. So sang I did…he just kinda stared at me. After a few awkward moments I said, “Hey, just let me know, I can take it.” He said, “We’re gonna start a band!” I told him there was no way after one lesson I could play bass in a band, figuring he just didn’t want to tell me how awful I was. He said, “No you’re not gonna play bass, you’re gonna sing!” And that’s how it began.

  • http://www.myspace.com/oddme Manish

    My life was always connected with Music as a child till now.. It all started just listening to the radio as a child and heard some great melodies, vocals. I was very much in tuned and it give me this eternal joy that I can’t explain.
    In my teens, I started to play guitar for fun no lessons just playing around exploring the sounds of the instrument.. started to DJ in my 20′s and also laying down my first songs with a help of engineers that I started to produce music in the studio. Music has been my medicine it gave me life I never got into Drugs and Alcohol.. and never will I only put Music my only Natural Drug such power it gives I’m connected for life……Now in my 40′s still producing Music…but one day I might stop as a Musician. but never a avid listener and fan.. I am a truly
    a Music Junkie…….(:

  • http://www.kidzmusiqclub.com Renee Collins Georges

    I guess you could say it happened while my mom was pregnant with me. At the time my mother was (still is) a gospel singer from Los Angeles, CA. She sang everywhere, churches, events, weddings, you name it. She even wrote and produced two albums as Mattie Collins and the “Soul Stirring” Charilette Gospel Singers. Back in those days (let’s just say sometime in the ’70′s) I grew up with the soulful sounds of the baptist church, but I was also introduced to classical, country, R&B, Jazz and Blues. My mother would always say, “There’s something beautiful in all kinds of music, you just have to be open and listen.” Growing up I thought that music was in every house the way that it seemed to be a normal part of ours. I remember Saturday mornings, that was our “clean up day.” My mother would motivate us with music; and we’d dance around with the vacuum, feather dusters, etc. Hey, it worked! And, it was a lot of fun. I learned so much about music, history about the influence of music on society, culture and our lives. Anyway, I just recall that my mother always played the role of the lead singer–delivering each note with confidence and such a powerful commanding voice. She was amazing to watch. I could sing, but I was shy and I used to ask her, “Mom, how is it that you are never afraid when you sing in front of people?” She’d always reply, “If God gives you a voice to sing, then it’s your responsibility to use it to bring joy to others through a song. And that’s what I do.” Music always made her (and us) happy. I saw the power of her voice to affect change in people; to bring joy to their lives, and to make them think and smile; and you know what? She still has it. It was those moments, those “Saturday morning clean up days” that inspired me to follow in my mother’s footsteps. That’s when I knew that I wanted to sing. Twenty years later, I landed an audition for one of the artists who’s music my Mom would play on Saturday mornings. And, in 1994 I found myself on stage singing one of those songs that I’d heard often as a child. I was working as a Raelette with the late Ray Charles. The song was “Hit The Road Jack.” And, I haven’t stopped singing :-)

    Like my mother was my influence, I am working to introduce young children to the power of music with a jazz for kidz music CD and education program that I have developed. Visit Kidz MusiQ Club.com to learn more about it.

  • http://www,jodanna.com Jo D’Anna

    This is a great topic — when did you first “know”?! I had played music since taking my first guitar lessons with Jerry Garcia (no lie!) at age 12 at Dana Morgan’s music store in Palo Alto, CA. I was overwhelmed with inspiration – like I’d met the Holy Man of Music, even at age 12! I had two parents who were both extremely musical – my dad played mostly jazz, all improvisational (by ear) and 7 instruments. My mother was a classically trained pianist and had a MA in composition with Darius Milhaud at Mills College, CA. I was very influenced by both of them. But the songwriting didn’t come out til later in life, though I supported my ex-husband musically (as a backup vocalist and guitar player) in our band (he wrote the songs). When we divorced in 1989, I participated for 6 months in a kind of dance training program where I was in residence on the CA coast, and instead of coming out of it as a dancer, all these original songs started flowing out of me, like an unending fountain of tunes!! It was then I became serious about it and continued to work on the craft of writing and started performing in 1993 and then releasing my first CD in 1995.

  • http://www.leighmarble.com Leigh Marble

    “You say ‘I am a musician, now and forever.’”

    No disrespect to the esteemed Chris R., but I’ve got to differ with that line of thinking, and by extension, with 90% of the comments here. If you’re focused on the (self-granted) title of being “a musician”, your head’s in the wrong place. Instead, just make the music you are compelled to make, and over time you will earn the title, for whatever that’s worth.

    Also, I’m cranky and need more coffee.

  • http://renegadesufi.com Dawoud

    I was 9 years old. One of the older boys who lived down the block from me stole a stack of albums from his older brother, and he gave me one of them. “Are You Experienced?” by Jimi Hendrix. This was shortly before Jimi’s passing. It changed my life. I realized that this was what I wanted to do with my life.

    • Dawoud

      Now that I think about it, I’ve always been sensitive to music. The first music I remember hearing as a baby was the second movement of Beethoven’s Ninth.

  • http://misskristin.com Miss Kristin

    I fell asleep and dreamt I heard angels singing and felt the presence of THE LORD – the angels were chanting “He Touches You, He Touches You, He Touches You” I felt fear and then told myself not to fear and chose to let go and then the spirit of THE LORD lifted me up and then put me back down. I awoke and was born again from that moment. I could see aura’s and had heightened awareness for two weeks following. In my spirit I heard the word PROPHET. I went to the bible to see what it meant. I read “The Prophet makes loin from lambskin”, and I had lambskin in my sewing machine (making a sexy lambskin teddy)I further read, “The Prophet is a great writer” (I had begun writing poetry) and then “The Prophet is least respected in his own home by his own family” and I was.

    What began as a spiritual awakening mixed with my desire to help a hurting planet and people heal via my own healing journey; was vehicle as I fell in love with WRITING and the pen. I became a multi-instrumentalist/producer/performer in order to manifest this catalog of 2000 divinely inspired songs- TODAY I AM A MUSICIAN AND EVERYTHING MORE! Big Fuss Records, Label Owner, Executive. My name is MISS KRISTIN and you may listen to my new collection WHOLE IN MY SOUL here: http://snd.sc/i7I53k

  • http://MitchWalkingElkTheofficialSite Mitch Walking Elk

    Since I was a kid in the boarding school I knew that I could sing so I did sometimes even at the request of other kids. One particular song I never knew all the words to but knew the tune so I sang it different every time and they never knew the difference. My first stint at songwriting. Later in the 60′s, in my late teens while doing time in the Oklahoma state reformatory a friend, who is still doing time, knew only three chords on the guitar that he taught me so I wouldn’t be at the mercy of having to rely on other musicians to play the songs I liked. I played those three chords for months before I learned more and went back to show him so he could know more but he was content with just the three he knew.Later I performed with some bands then started writing my own songs before I took off on a solo career that has been both good and not so good. Fourteen European tours and five recordings later I still have much room for improvement and look forward to it. I’ve done an untold number of benefit gigs around environmental, Native American and human rights issues and the battle rages on. In 1971 in a haze I watched Richie Havens perform in Tucson, Az and in 1987, no longer in a haze, I performed at the same as concert concert as Richie in Minneapolis for the American Indian Movement. One of the highlights. And the battle rages on (still). Later, Mitch

  • http://www.PreacherKeen.com Preacher Keen

    My dad worked at a department store. They planned a Christmas party for the store to be held at a county auditorium. It was a covered dish affair and the entertainment was to be provided by employees and their famalies since the money for the party was spent on renting the county auditorium. The auditorium was filled with folding chairs and tables where people were eating, drinking,and listening to the “talent” on the stage. When our turn came, my two friends and I opened our mini set with “Wipeout”. The audience, who had been calm and unexcited started pushing the tables back to create space to dance and then went crazy dancing. Seeing the excitement that music can create hooked me that evening and I’ve been making live music ever since!

  • that_gal

    ^^well said Leigh.

  • http://innergypsy.com Mario Vickram Sen

    How I became a musician

    I remember, as if it were yesterday, being wrapped up in an old pillow case and slung over my father’s shoulder. This is how I was carried home from my first gig. It was India, in 1958, and I was not yet five years old. I had not progressed to the guitar yet, but I played a mean four string ukulele. My brother was the hot guitarist in our three man band– he could play a fiery “Tico-Tico” in under a minute flat– and my father, whose silky, operatic lyric baritone had been acquired through lessons in Parma, and years of professional international touring, was our front man.
    After we moved to England in 1959, and my guitar playing started to develop, my father’s nostalgia for the old country, and it’s music, caused him to start tinkering around with his guitar to try and make it sound like a sitar. We spent several years together developing what we called the “Sitar-Guitar,” from acoustic versions, to banjo bodied versions, and finally the full electric version with a separate pick-up for the thirteen sympathetic strings.
    By the mid sixties, the Beatles and many other pop bands were starting to experiment with Indian sounds in their music. My father, whose name was Hara, always said, “If it’s good enough for Harrison… then it’s good enough for Hara Sen.” Unfortunately, he was not good enough as a businessman to protect our patent, and an American company came out with an electric “Sitar-Guitar” remarkably similar to the one we had built and carelessly exposed to the public by way of a newspaper article, without first registering the concept.
    Of course, I was never going to be anything but a musician– I loved Elvis, and Cliff Richards and Chubby Checker– but one event changed my musical life forever. It was 1967, and I was in the kitchen when I heard my grandmother scream. “My god! What the hell is that!” She yelled from the living room. I ran in to see what the fuss was all about and, on the television, a man with wild hair was playing the guitar with his teeth. I was in love!
    Yes it was Jimi Hendrix, and I wasn’t quite fourteen yet, but within a few months I had learned to play much of his repertoire, and people were inviting me to jam sessions and parties to show off this kid who could “play like Hendrix.” I was getting offers to play with people like Jet Harris, from the “Shadows,” until they discovered how young I was. Nonetheless, within a couple of years I had my own band, “Savannah,” and we played all over England to great reviews and multiple encores.
    But we never got a record deal, maybe we were just too arrogant, and made enemies in the business, but when you’re a kid with a bit of talent, you tend to think that everybody owes you everything. Well, that big break we were waiting for just never came.
    In 1973 I moved to America, got married, had a kid… but all the while I played music. When my friends were dropping out and getting real jobs, I kept going with the music. I played fusion music, jazz, heavy metal, reggae, and afro-beat, in various bands in New York over the next thirty years. I even got a job playing with old Chubby Checker for a while.
    So here I am, fifty-seven years old, still playing. Now I play music with my lovely wife, who I met in 2004. She plays flute, and I think I have finally found ‘my’ style. Our band is called Inner Gypsy. With our first album, “Gypsychology,” I went all acoustic. There’s definitely a bit of my father and India in there, but also all the other things that have influenced me over the years. You can hear the album at http://www.innergypsy.com/musicvideo.html – but if you prefer the old electric, I’ll be bringing that back on the next album, which we are working on as we speak.
    Good luck to all you young musicians out there. Never stop making music.

    Mario Vickram Sen

  • http://davidyoungmanmusic.com David Youngman

    My story of becoming a musician started when i was about 13 years old. I was never allowed to listen to anything on the radio except oldies. My only other exposure to music was band class at school and hymns at church. I really wanted to hear some cool music but didn’t know what was out there. This particular summer at age 13 some guys started jamming in the park next to my house. I really liked the music they were playing (90′s rock music) and tried to figure out what they were playing on my dad’s acoustic guitar. I wrapped aluminum foil around the strings for a distortion effect. Since I didn’t have much exposure to good music I also started writing my own stuff similar to this rock music I was hearing. I used a dual cassette recorder and recorded all the different parts myself. I borrowed a bass guitar, used my dads guitars, and used a home-made drum set to make my own music. Ever since this time in my life, I’ve searched constantly for the music I hear in my head and usually can’t find it so I end up writing my own music to get that sound. Even though this was a struggle at the time, God certainly had a plan for me to learn a lot of compositional skills through this. Over the next 10 years I pursued music but would often go in other directions. It seemed that God kept bringing me back to music. This happened so often that I remember in college just saying to myself, “Okay, I’m going to do this no matter what.” And I have ever since.

  • William Hardegård

    When i first became a musician i thought it was the greatest oppertunity to put my feelings into melodies and do experiments with sounds and beats.
    My genre is Electronic music.
    Why i choosed Electronic music is because the beats and sounds is always synced and it will be no mistakes when making a sound and its pretty easy to make it sound really good and nowadays its really popular with all kinds of Electronic music (ofcourse it can be mistakes but not fatal mistakes like tone interuptions and such things).
    Anyways, people said i had a great ear for music and sounds so they told me: “why arent you creating your own music and lend it out to the world?”
    My answer was quick and simple: “Yeah, why not.. sounds really funny!” and now i have been doing my thing for almost 6 years and im loving it more and more for each day i do it!

  • http://www.kenbierschbach.com Ken Bierschbach

    It was the mid 60′s and I was about 8 years old when The Monkees grabbed me the ears and didn’t let go. From that moment on I wanted to play and sing, and have been lucky enough to have performing as a big part of my life. I just loved all of the Brill Building music and the stuff that Don Kirshner was putting out at that time. To this day the most infectious pop ever. That’s where it started for me and hasn’t stopped to this day…a never ending quest to write the perfect 3 minute song.

    Ken Bierschbach

  • Pingback: Insight: How I became a musician « Kidz MusiQ ClubBlog

  • http://rivercat.net Mark Rivers

    My love for music started at the age 3 or 4 when my grandmother said “Hey mark The kings on tv” and i saw this guy elvis rockin & rollin on the ed sullivan show.
    I collected records & banged on the drums for years as a struggling musician.
    when i was in 6th grade my folks moved down to asbury park nj..i fooled around in some high school bands.”The majestics” was my first real band. but it was’nt till 1975 the year i graduated high school i got more serious about it. This local guy named Bruce hit it big..and all of a sudden it did’nt seem so far away..like elvis or beatles & stones..here was a local guy on the cover of time magazine..there was hope and I dug a little deeper into the music.
    But it was’nt untill john lennon was murdered and i felt the loss & sadness & joy that all that music had given me that I made a decision to pursue Music as a career & a life.it did’nt matter if i became a star & got money & fame or not
    my intent was to create good music..the rest would take care of itself..and it has..almoast 40 years down the road. I don’nt give a fuck about stardom..just good music. some $$ freedom would be nice but it is what it is..one song at a time..hopefully I will inspire some kid as i once was inspired way back in the day…like the boys say “it’s only rock n roll” Rivers.

  • http://www.suncoastarts.com/paulinelebel.html Pauline Le Bel

    I’ve been in the studio the past few weeks recording another CD (my 5th) and thinking about why I do this. It’s a choice I make every day. Although I’ve been making music for over 40 years, there have been times when I was silent. (I wrote a book about it – The Song Spinner) . But music kept calling me back. We are hard wired to make music. Just take a look at the recent neurological studies on the effects of music on the brain (a good book on the topic is This Is Your Brain on Music by Dan Levitin), and you’ll see why this is the most normal thing to do. Not making music is not being alive. I wrote a blog on this recently and included my recently published poem, Musicians. You can read it at: http://paulinelebel.wordpress.com/

  • http://www.lubaantune.com Emery Joe Yost

    When I was just a small lad, at the tender age of 6, Mrs. Herman was holding her general music class. She listened to us sing and then auditioned any student that she felt had some potential to sing a solo.

    She had us sing a few lines as a class, she walked up to me and said, “Emery, you have a voice and you will be a musician in life.” I had no problem with her assessment, in fact I loved singing.

    It was not until we started rehearsing on stage, and on the performance day that I felt something over come my entire being. I was singing and the foot lights hit my eyes, I was a mere 42 pounds, I would see the glare from the footlights in my eyes and then refocus to my audience as I sang and it was as if the heavens opened up and a voice said, “You are here for this reason, to sing and make music.” My teacher Mrs Herman and my soon to be band teacher, Larry Papach guided me in a good way. I would tell Larry all the time that I was going to tour the states and the world with a big record label one day. He always told me not to bank on it, he said it’s not the norm.

    From that moment my life was constantly filled with music, school bands, piano, saxophone, guitar and bass was my passion. By 6th grad I promised myself I would get out of school and tour with a rock band. It happened. After I graduated from St. Ignatius I hit the road, I turned in the school bus for the tour bus, well actually it was a Winnebago driven by one of the moms of the band, we were only 17 when we pulled into the Merchant Marine Academy on Long Island to open up for Rick Derringer and the Hooters.

    When I came off the road, touring with LaTour (and we were recording another side project called the Squids) I had enough money to buy a really nice SUV, it was shiney red. I came into his sax shop and said, “Larry, I did it.” I showed Larry our itinerary from our management company for SMASH/ISLAND records.

    Larry said “Congratulations you are the first one I have seen this happen to.”

    More amazing is how I discovered the power and healing of music by teaching music to children and adults with disabilities. After 10 years of running this non profit record label and music program I decided on creating a master work at DePaul U. regarding therapeutic uses of music. The program Special Music by Special People has changed people’s lives through music performance, recording and composing.

    Today I enjoy many facets of my musical life, recording, producing, composing and teaching, and also managing the businesses I have created, all subsidized by my career in music.

  • Shiladitya Ganguly

    It was 2002-03 i was in high school oe of my friends gave me Echoes (pt.1&2) the very best of Pink Floyd listening to it changed my life & i knew that music would be my passion till the day i die.

    • Chris R. at CD Baby

      Same music for me! Only a decade earlier.

  • Dizz

    When I was about 12/13, the song “dig” by mudvanye came out. I saw the music video and this pushed me to play drums. I learned every mudvayne song I could and actually started a pretty succesfull youtube page. Anyways I finally got to see them live with my brother at Summer Sanitarium and just remember them being the first band and they were just so incredible I couldn’t help but want to be up there with them. From that moment on I vowed to be in a band and play with them one day!

    http://www.facebook.com/skycameburningofficial

  • Anonymous

    My dad put me on the piano at age 3. He played guitar and piano so that started it for me. He passed away when I was 7 years old.

    35 years later I play in church every week and make my own music. My brother plays for the US Army Band and plays everywhere.

    The apple doesn’t fall to far from the tree. I’m glad I came from a good tree.

    Thanks Dad,

    David Edgerton, Jr.

  • Anonymous

    My dad put me on the piano at age 3. He played guitar and piano so that started it for me. He passed away when I was 7 years old.

    35 years later I play in church every week and make my own music. My brother plays for the US Army Band and plays everywhere.

    The apple doesn’t fall to far from the tree. I’m glad I came from a good tree.

    Thanks Dad,

    David Edgerton, Jr.

  • http://members.cdbaby.com CD Baby Admin

    Sweet. My office-mate just went to see Thurston Moore’s solo show the other night. Said it was amazing.

  • http://members.cdbaby.com CD Baby Admin

    February, 64! Right?

  • Laurencecooper1

    well for me it was a time when I read that book “What Colour is Your Parachute”which is a book about finding the best career. Much to my surprise as I had a been a bit of a slacker up to that point about music, I discovered the common thread throughout my life was music :) a stronger thread that I had imagined

  • http://www.facebook.com/caseyforever Casey Bourgeois

    wow! if there’s any pics of you with that guitar and amp, we’d love to see it! what a time machine.

  • Pingback: The DIY Musician’s Top 10 Blog Posts of 2011 | DIY Musician

  • http://www.ronbrunk.com/ Ronbrunk

    i was on a mountain top. the golden sun was streaking through purplish clouds. i heard a voice but couldn’t tell from where it came. i fell to my knees and gasped as the voice thundered, “Play.”
    did i mention there was a burning bush?
    http://www.ronbrunk.com

  • Whatsdamdilly

    i were born with it

  • http://ulisestroyo.com/ Ulises

    For me, it was when I attended the “Up with people” Show when they came to Mexico City back in 1975 when I was 18 and auditioned for the Show.

  • Alanbloke49

    1. The Bay City Rollers. My girlfriend loved them more than me. 37 years later she (now my wife) is still with me. BUT ONLY BECAUSE I BOUGHT A WOOLWORTHS (Audition) strat shaped electric guitar (£29.50) and spent three years not learning how to play it (bless you Bert, you scoundrel). Plink plink buzz, chord – force fingers into next position, taking about 5 seconds, then next chord – plink squark twang.
    A couple of years later I thought about moving myself into a new self declamatory bracket – promoting myself from “learning to play” to ” can play”. I pulled it off. People believed it. Then I started believing it myself. Then Glory be: PUNK! “Anyone can play this shite” I declared. Barre chord that makes F at the first fret and A at the fifth. Leave fingers in position and just mooooove it up and down the neck. Never mind three chords. One was fine. It was enough. Gawd bless you Steve Jones, Peter Shelley and the bloke out of “Penetration”. You showed me how it couldn’t be done and I was able to couldn’t do it as convincingly as every one else couldn’t. Hey – I was cool because I loftily referred to Johnny Rotten and John Lydon. My brother was considered just as cool through knowing him as John Lydon instead of Johnny Rotten. It was cool warfare between me and bro. Believe it or not the following made us cool in about 1977: Being followers of Bruce Springsteen (true, Bruce was CRED then, but with little more than a cult following in the UK, and me and bro were two of the cults that swaggered around with “The Wild, The Innocent and the E Street Shuffle” under our arms. IT WAS NOT COOL to rate the Sex Pistols. They were considered a joke. Graham Parker, Elvis Costello, Bruce, Patti Smith were the doods. Also those graduates of the London/Southend/ Canvey pub circuit, Nick Lowe, Eddie and the Hot Rods, maybe even the Kursaal Flyers and of course The Feelgoods received nods of “cred” approval. Steve Harley and the TRB held cred until being destroyed by the music press.
    Anyway, back to the point. I picked up a guitar37 years ago because of its magical powers, to smooth my acne, sculpt away my love handles and loosen young ladies underwear.
    It’ll be worth waiting for…….

  • Jamaalj54

    Music has always been part of my life. after all I was born Caribbean. But when I think of myself and music I have to mention 4 people. Janice Millington of Barbados knocked all our teenage musical chauvinism out of us and taught us how to LISTEN. In 1974 I met th stellar Prof Ariel ‘Pops” Lovelace at Tougaloo College. he commented after my audition: “Well you have a diaphram like a chicken but I think we can do something with you.” Bless you Professor Lovelace! back in Barbados, I was lucky to become a voice student of Doris Provencal-Kirton and later in Jamaica, to study under Dawn Marie Virtue. I thank God for allowing me to meet and benefit from these people.
    Jamaal

  • Jeffreygeorgemoline

    Age ten singing “Queenie The Cutie” at a The Last Resort Honky Tonk in Whitewater MN with the Root River Ramblers. My dad bought the band leader a drink, who didn’t expect much. I killed it. The applause and response is the drug of a lifetime…